Posts Tagged ‘World Series’

Branding Jack Kirby

Monday, October 3rd, 2011

The Fall Classic is upon us and here in the Philadelphia area we baseball fans have reason to be excited! The Phillies are making their fifth trip in a row to the playoffs, hoping to reach the World Series for the third time in four years!

Sports and comics have a lot in common, challenge, conflict, victory, colorful uniforms drenched in primary colors and heroes, plenty of heroes. In sports heroes come and go. A hero one day may be the goat the next. Some heroes become legends and their exploits border on the mythic. The greatest tragedy in sports is when the most idyllic of heroes fall from grace crushing the hearts of all their faithful fans and admirers.

Phillies fans, though currently enjoying a great era of success, have a long history of witnessing failed efforts so the few highlights in their history shine like beacons. We all know that the Phil’s first World Series Championship, won in 1980, would never have happened without, then first baseman, Pete Rose.

It was a great team and had been for a few years with heros like Mike Schmidt, Steve Carlton, Larry Bowa, Greg Luzinski, Bob Boone and other greats but the acquisition of Pete Rose made the difference. He was Charlie Hustle, Mr. Baseball.  Even when Rose played for the opposing Cincinnati Reds, as much as he was a hated rival, he had to be admired. Pete Rose was the kind of player every fan wanted on their team, hard working, skilled and doggedly determined to win.

Pete Rose defined everything that was great about baseball and was one of the sport’s greatest heroes.  When he was banned from Major League Baseball in 1989 and later from the Baseball Hall of Fame in 1991 because of his admissions to gambling and betting on his team, his situation ignited a firestorm of contention among baseball fans that continues today.

Many believe that Pete Rose’s banishment from Major League Baseball and the Hall of Fame is unfair, deprives fans of an accurate accounting of history and is a hypocrisy when compared to the inductees that are known drinkers, wife beaters, drug users, etc.

Pete Rose at the Museum in Cooperstown

But this is Charlie Hustle, and when I heard that there was a Pete Rose Museum in Cooperstown I gloated at the thought of Mr. Baseball erecting a gleaming shrine to himself right in the shadow of Baseball’s hallowed Hall of Fame redirecting the foot traffic through his doors and reaping financial rewards and well deserved glory from adoring fans ravenous for memorabilia with his name on it. I imagined Pete standing in his door thumbing his nose at Major League Baseball, then going to the bank, everyday.

In actuality the Pete Rose Museum is a modest hall of memorabilia on the second floor of a brick building a block away from the Hall of Fame sitting atop the Mickey Mantle Museum and Pete Rose continues to face his life sentence with dignity and respect to the sport that he so loved.

So what does this all have to do with Jack Kirby?

Pete Rose’s story in some ways reminds me of Jack Kirby’s story. Kirby dedicated his life to the mastery of the comics medium he loved. In the eye’s of many, he was the greatest but for all his accomplishments he was denied the final rewards of his endeavors, some rights to the many, many characters he created. Jack Kirby’s characters continue to make millions of dollars for the corporations that claim the rights while his heirs continue to fight for some reasonable compensation.

Heated discussion has continued for decades as to what is fair in the case of Jack Kirby and other comic artists with similar issues that will probably never be settled.

My thought is that maybe, like in the case of Rose’s museum, focus should be trained away from the monolithic industry and aimed at the man himself, or in this case, the King, Jack Kirby.

It is time that the name Jack Kirby become a brand that is synonymous with all that is great and can be great about comics. Beyond all the characters that Jack Kirby created, there is a style that is distinctive solely to him a style that has affected pop culture for decades.

Imagine a Jack Kirby retail store that sold only product that was derived from Kirby’s original creations. Sure, it would look like a comic shop littered with product produced by Marvel and DC but the retail revenue instead of meager royalties  from the wholesale revenue would go to holders of the Jack Kirby store who would either be the heirs or someone who pays the heirs for the rights to use Jack Kirby’s name.

How about Jack Kirby comic conventions? Kirby Con International? There might be a few bucks to be made there!

The Jack Kirby brand in a strange turn could license rights from Marvel and DC to produce all kinds of Jack Kirby branded merchandise. Everyone makes money and the Kirby legacy lives on providing the heirs with fiscal security for generations.

Kirby’s distinctive style could lend to clothing designs that could rival anything on the market today. Instead of Coogi, stylish folks could wear Jack Kirby. Why not?

Stan Lee has turned his name into a brand. Can you say Walt Disney? Why not Jack Kirby? Forget about the characters and turn the legacy of the man into the commodity. Is he not the King, after-all?

In terms of strategy, I guess this would be considered “Beat them at their own game.”

Just an idea, inspired by a guy who never gave up.

Go, Phillies!

Making Comics Because I Want To

Gerry Giovinco


The Comic Company:
Duckwork

Tuesday, August 3rd, 2010

 

Enter at your own risk

 
An ominous, orange glow cast its pall across South Philadelphia in the spring of 1981. It was a sign plastered with fluorescent tempera paint on a thirteenth floor window of the ARCO Building on Broad and Spruce streets, home of most of the classes taught at PCA, Philadelphia College of Art which is now known as the University of the Arts, one of the most respected art colleges in the country.
 

Room with a view

 
The letters that read “DUCKWORK” could be seen as far south as Veterans Stadium where the Phillies had won the World Series just months before and marched past PCA in their triumphant parade that rocked the City of Brotherly Love.

Behind the window was the office of a motley group of art students banded together to publish a “student” newspaper by the same name.
 

John "Bondo" Rondeau settles in front of a huge print that we had "aquired" from a show at PCA that featured a famous cartoonist alumnus, Anrnold Roth, who ironically had been expelled from the school when he was a student.

 
DUCKWORK, though tacitly supported by the school, was never a school newspaper. It was a publication commandeered by an assembly of comic art enthusiasts led by myself that defiantly produced comics in an educational environment that, at the time, considered the medium to be kitsch and derivative.
 

DUCKWORK Covers 1 & 2, Cover #1 illustrated by Bill "Fostex" Foster, #2 by Gerry Giovinco with inks by Bill Anderson

 
Our pseudo-fraternity proclaimed each of us as DUCKS and, as a proud rogue clan, we wreaked havoc on the school with our publication and our mischievous pranks some of which might have us arrested if done today.
 

Bill Bryan who is now at CBR Woodworking where thay make incredible furniture for offices and corporate spaces among other things. http://www.cbrwoodworking.com/index.html


 

Evan Nurse was a Jr. Duck who attended a cartooning class on weekends at PCA for young students. Evan's senior prank at Sharon hill H.S. was to join the girls Lacross team. They let him play but they made him wear the kilt. He is now an AV instructor at an area High School.

 
PCA had very little sense of community at the time. Because of this, our little group managed to control Student Council and Arts Council giving us the opportunity to allocate funds and office space for our ventures. The DUCKS ruled!
 

DUCKWORK Covers 3 & 4, both illustrated by Gerry Giovinco

 
DUCKWORK quickly became a magnet for cartoonists especially after it became known that I was attempting to start a comic book company named Comico with two friends of mine from high school, Phil LaSorda and Vince Argondezzi.
 

DUCKWORK Covers 5 & 6, #5 illustrated by Bill "Cooch" Cucinotta, #6 by Matt wagner

 
Bill Cucinotta, my partner here at CO2 Comics, knew of me and Comico from Creation Conventions and was enthusiastically involved with DUCKWORK from the start.

Nick-named Cooch, his loyalty and ability to get the job done whenever needed along with his knowledge of the direct market derived from his experience working retail at Fat Jack’s Comic Crypt, Philly’s premier comic shop made him invaluable. It would later make him the most logical choice to fill the void left by Vince Argondezzi’s abrupt departure from Comico’s initial partnership well before our first book Comico Primer would be published.
 

Edwin Arocho is now a fine artist and musician living in San Juan, Puerto Rico

 
The list of colorful guys and gals that frequented DUCKWORK’s office is peppered with talented artists that went on to creative careers. I’ve included photos of several DUCKS. It is easy to see that besides comics, we were seemingly, also influenced by the movie Animal House!
 

Danny "Hank" Lange followed his dream and actually learned to play that guitar. He recently did a sound track for an award winning film. Check Dan out here: http://www.myspace.com/buskersblues


 

The fall of 1981 brought a new landscape to PCA. Two older buildings across the street had been purchased by the school and turned into dorms. One of these dorms would quickly become a DUCKWORK annex and be dubbed the SWAMP. The SWAMP was home to new DUCKS, Matt Wagner, Mike Leeke, and Dave Johnson, three guys that each would later play a role in the accomplishments of Comico.

 

Joe Cursio was another Jr. Duck who hung out at DUCKWORK and is now living

 
DUCKWORK was populated by students that lived on campus and commuters who often crashed at the office or the SWAMP. SEPTA strikes were usually great bonding experiences for the commuters of which I was one.
 

Joe "Zig" Zigler rarely showed up with clothes on... Joe is a fun pal that we've managed to lose touch with. Joe, if you are out there, drop us a line!

 
One commuting DUCK who recently has emerged on the web-pages of CO2 Comics with his wife and former PCA alumnus, Tina Garceau, is Joe Williams who has recently posted several great flashbacks about DUCKWORK on his blog at www.willceau.com.
You can read Joe’s 5 part DUCKWORK retrospective here.
 
By the time the spring semester had ended in 1982, a total of six issues of DUCKWORK had been published.

It was the end of my junior year at PCA. Phil Lasorda’s older brother Dennis had just purchased a duplex in Norristown for his Physical Therapy practice. He had offered us the opportunity to run Comico out of the half he was not using.

It was time for this DUCK to sink or swim. I left PCA to pursue a dream. Cooch came along as well. Without its leaders DUCKWORK quicky faded away but Comico was about to become official.

When it came time to take the big leap of faith, Vince chose not to commit and Bill took his seat at the drums. Phil, Cooch and I were now the standing partners of Comico as we began to solicit our first publication.
 
Matt Wagner was a prolific contributer to DUCKWORK and continued to contribute as Comico took off. Matt’s feature Grendel first appeared in Comico Primer #2 and went on to become an iconic character in comics. Comico also published Matt’s Mage the Hero Discovered.
 

Matt Wagner, The Comic Artist Discovered.

 
Mike Leeke was significant as an artist on ROBOTECH and later went on to pencil Bill Willingham’s popular ELEMENTALS.
Mike’s contributation to CO2 Comics. The Amazing Liberteens, can be seen Here.
 

Mike Leeke, who would later become the penciler extraordinare of ROBOTECH and ELEMENTALS is just thrilled that he can hide all of his mechanical pencils and rapidograph pens in his tremendous fro!

 
Dave Johnson was also a penciler on the ROBOTECH series.
 

Dave Johnson, former denizen of the SWAMP and penciler on ROBOTECH The Next Generation for Comico.

 
Joe Williams along with his wife Tina Garceau creates Monkey and Bird which is featured here on CO2 Comics.
 

Joe Williams is now a featured artist here on CO2 Comics with his wife Tina

 
Bill and I have ironically redeveloped our webs. We’ve gone from DUCKWORK to Web Comics with a long history in between.
 

Bill "Cooch" Cucinotta reclines on a cardboard 3-D project that was retired to the hall in front of the DUCKWORK office

Ouch! Gerry Giovinco, is another Duck trapped in a world he never made!

 
NOTE: In 1984, two years after the DUCKWORK crew had disbanded at PCA, Jim Carrey makes his Hollywood debut in an NBC television series titled “The Duck Factory” about a quirky group of animators trying to keep their studio alive. Kinda makes you wonder…


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