Posts Tagged ‘WATCHMEN’

Curiosity for Mars

Tuesday, August 14th, 2012

The first time I was conscious of the red planet was when I was four years old and watched the movie Santa Claus Conquers the Martians which featured a very young Pia Zadora as a Martian child. I’m sure I had already been exposed to plenty of other extraterrestrial worlds from having spent countless hours scanning the comics section of the newspaper, drawn to the futuristic likes of Buck Rogers and Flash Gordon, but the inclusion of Santa, of whom I was a firm believer, captivated my young imagination. The concept of Martian civilization was as real to me as the elves at the North Pole.

Needles to say, I was fortunate to have grown up during the Space Race and could not have been more impressionable as American astronauts set their sites on the Moon. Like most boys in that era I surrounded myself with space paraphanalia. My brothers and I had all kinds of space related toys, my favorite of which were the Major Matt Mason action figures and his giant friend from the Moon, Captain Laser.

Though I was in the midst of recovering from open heart surgery that summer of 1969, I was as captivated as any person on the planet when when Apollo 11 astronauts, Neil Armstrong and Buzz Aldrin first walked on the Moon. Hanging above my bed as I watched the scratchy videos on a black-and-white television were several paper models that I had built of the Lunar Module (LEM) from a Gulf station promotional giveaway.

My fascination for extraterrestrial life was heightened by a stories of alien abductions and the books by Eric von Daniken, most notably Chariots of the Gods?. Of course there was no shortage of science fiction from TV, film, books, and comics to fuel my interest. I spent many a day building and launching model rockets. Earth is great but my head was in the stars. Comic books ultimately gave me my greatest escape to other worlds where adventures in another galaxy were just a panel away.

As a nation we seem to have lost interest in space exploration. There have been no more “manned” trips to the moon since 1972 and all human space activity has taken place on the International Space Station which orbits the Earth about 16 times a day at a low altitude of just over 200 miles above the planet. Launches of the space shuttle had been the most spectacular events that have included actual astronauts since the Moon walks. Perhaps our interest in space travel has been marred by the two space shuttle tragedies as we watched the crews of Challenger and Columbia lose their lives in dramatic catastrophes.

Comico Challenger Memoriam by Gerry Giovinco

Robots are the new pioneers as they venture to other planets guided by Earth bound technicians. Orbiting satellites,  probes, landers, rovers and telescopes have given us the opportunity to witness the surface of other planets, experiment on the content of their atmosphere and soil, and view the outer reaches of space, effectively looking back in time to the beginnings of the Universe.

This week, the rover Curiosity landed on Mars to much jubilation. Maybe the country, which was enjoying a burst of nationalistic pride garnered from the successes of Team U.S.A.’s olympic athletes competing in London, is feeling adventurous again. I got a special nostalgic thrill by looking at the tracks left in the soil by the rover, reminding me of those first footprints on the Moon over forty years ago.

The crystal clear 360° photos from Curiosity of the Martian landscape are intoxicatingly inviting and conjure images of Alan Moore’s  Dr. Manhattan walking naked across the terrain in the most successful graphic novel, Watchmen.

Wouldn’t it be amazing if Curiosity sent pictures back of the blue doctor’s giant glass palace? I guess that would be a huge stretch of the imagination but hey, I still believe in Santa Claus. Maybe we’ll see photos of those Martians that kidnapped him and those two little kids.

Hmmm… curious.

Gerry Giovinco

BUGHOUSE Graphic Album NOW AVAILABLE

The Comic Company: Origins of a Graphic Novel

Tuesday, November 30th, 2010


Will Eisner’s CONTRACT WITH GOD
, published in 1978 is most often noted as the first graphic novel mostly because it was the first to declare the name.

The term graphic novel has come to be associated with any collection of comic works that is perfect bound though many would be more aptly distinguished simply as trade paperbacks.

Eisner’s graphic novel itself was actually a collection of four stories rather than one long story generally associated with the word novel.

The first “graphic novel” that I remember reading was Archie Goodwin and Walt Simonson’s adaption of the movie ALIEN published by Heavy Metal in 1979. Titled ALIEN: The Illustrated Story this 64 page, full-color, perfect bound package was a riveting masterpiece of comic art that sold for only $3.95!

I am always surprised that this book is overlooked when the topic of graphic novels is discussed. For me personally, it was a benchmark. I had read trade paperback collections of comics from pocket sized collections of Charles Schultz’s PEANUTS, to Burne Hogarth’s TARZAN of the APES and all of Stan Lee’s Origin books but the ALIEN book, more than any other, spoke to me about format.

It was my first look at what the future of comics could be.

When we began publishing comics as Comico in 1982 we started from the ground up with black-and-white comic books that looked more like fanzines and quickly grew to publish a line of full-color comics that rivaled anything in the market at the time.

Along the way we published a number of graphic novels, two featuring Matt Wagner’s GRENDEL, Harmony Gold’s ROBOTECH, Doug Wildey’s RIO, Mike Baron and Mitch O’Connell’s The World of GINGER FOX, and Harlan Ellison and Ken Steacy’s NIGHT and the ENEMY.

Comico Graphic Novels

Before them all was an unusual graphic novel collection called MAGEBOOK. What made this book unique was that it was NOT a reprint of the first four issues of Matt Wagner’s critically acclaimed comic MAGE.

In 1984 it was apparent that there was a new trend in comics. The miniseries was becoming popular with titles like CAMELOT 3000 and WATCHMEN. It was inevitable that these would be collected and re-published as graphic novels after the initial run.

Matt had informed us early on that MAGE, likewise, would be a limited series. The idea of collecting it in graphic novel format as well became a goal.

Then we were presented with a production issue. In an effort to minimize unit costs, our comics were being gang-printed and though MAGE was a critical success it sold in smaller numbers than most of our other books, resulting in an overstock of the title to be stored.

There, warehoused on a skid, was the opening chapter of what would become our first published graphic novel.

After the first issue we began not binding the interiors of the books, storing the excess signatures for future use. After four issues of MAGE had been published we collected the signatures and the overstock of the first issue and had them neatly bound in a graphic novel format producing MAGEBOOK for merely the cost of the cover and the binding.

Magebook 1

MAGEBOOK was a collection of the original print-run of the first for issues; ads, letter pages and all. Due to its success, we repeated the process for the second volume which has notably larger size dimensions than the first volume because of the availability of trim area that was lost on the first volume due to the first issue of MAGE having been previously trimmed and bound as a comic book.

Magebook 2

These two volumes of MAGEBOOK were probably the only graphic novels ever produced this way! If anyone has any knowledge of others I would love to know about them.

MAGE was later licensed to Starblaze Graphics who repackaged it into a beautiful glossy three volume set that was released in paperback and deluxe, sleeved, Hard Cover editions.

Bill Cucinotta and I still like the idea of repackaging material that we enjoy.

co2comics.com

While we are determined to seek out exciting new features by talented comic creators to post here on CO2 Comics, there are a number of features found here that are digital repackages of previously published material which we are proud to introduce to a new audience on the internet.

David Anthony Kraft's COMICS INTERVIEW: The Complete Collection Vol 1

We have also made it our mission to repackage a very important part of comics history. David Anthony Kraft’s COMICS INTERVIEW: The Complete Collection will be a eleven volume set and is, without doubt, “The Greatest Collection of Interviews in the History of Comic Books.”

The first volume available in Hard Cover and Paperback is ON SALE NOW and can be found at www.comicsinterview.com.

Hurry and get your copy in time for Christmas!

Making comics because I want to

Gerry Giovinco


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