Posts Tagged ‘Steve Englehart’

‘Marvel Studios: Assembling A Universe’ – A Kit With Instructions

Tuesday, March 18th, 2014

Tonight ABC television airs a special, ‘Marvel Studios: Assembling A Universe’ that is being promoted as an exclusive look inside the world of Marvel Studios.

Marvel’s website succinctly describes the world premiere primetime event:

“Marvel Studios has pioneered and broken box-office records around the world, creating a cinematic universe unlike any other in pop culture history through its blockbuster films. Beginning with “Iron Man” in 2008 and continuing today through “Marvel’s Agents of S.H.I.E.L.D.” on ABC and the theatrical release of “Captain America: The Winter Soldier” this April, the Marvel Cinematic Universe presents audiences with some of the most groundbreaking and dynamic storytelling that brings an unprecedented vision to the world of entertainment.

In this exclusive primetime documentary special, audiences will be taken further into the Marvel Cinematic Universe than ever before, offering viewers a front row seat to the inception of Marvel Studios, the record-breaking films, the cultural phenomenon, and further expansion of the universe by Marvel Television.

Marvel’s first television special documents the exciting story behind Marvel Studios and the Marvel Cinematic Universe, featuring exclusive interviews and behind-the-scenes footage from all of the Marvel films, the Marvel One-Shots and “Marvel’s Agents of S.H.I.E.L.D.” Viewers will walk a clear path through this amazing and nuanced universe, featuring sneak peeks at the future of “Marvel’s Agents of S.H.I.E.L.D.” on ABC, new footage from Marvel Studios’ upcoming theatrical releases, “Captain America: The Winter Solider” and “Guardians of The Galaxy,” and a sneak peek at the upcoming Marvel’s “The Avengers: Age of Ultron.'”

Curiously, they never mention the words “comics” or “comic books” once in their own promotion of this marketing extravaganza.

Seriously?

Fortunately early clips from the documentary shown on other sites quote Marvel Comics’ Editor-In-Chief, Axel Alonso saying,

“What Marvel Studios has done is very similar to what Marvel Comics did back in the day. They’ve built individual stories to stand on their own two feet, then they found a way to take those stories and weave them into a larger narrative.”

Thank you… I think.

Marvel Studios needs to pinch themselves, wake up and come to the stark (pun intended) realization that they are not creating anything. They are ADAPTING!

They are assembling this cinematic universe of theirs from a kit whose instructions were clearly established over a 73 year history by a ton of creative individuals whose professional careers were dedicated to making comic books!

Forget IRON MAN in 2008, let’s start with CAPTAIN AMERICA in 1941 and see where the Marvel Universe would be without their First Avenger that was created by Joe Simon and Jack Kirby.

That’s right, the same Jack Kirby whose name pops up when you also mention the creation of, Iron Man, Hulk, Thor, Avengers and Agents of S.H.I.E.L.D. all of which  he collaborated on with some guy named Stan Lee throughout the 1960’s.

Stan Lee? Yeah, he was Editor-in-Cheif back in the day” and was probably the guy most responsible for finding a way to weave those stories into a “larger narrative” since he was sitting behind the big desk at the time, directing traffic and providing the final scripting on all of those comics.

Let’s not even get started on the Guardians of the Galaxy whose long list of creator contributors include the names of folks like Arnold Drake, Gene Colan, Steve Englehart, Steve Gan,  Bill Mantlo and Keith Giffen just to name a few.

By the way, there is one Guardian that has been lurking around the Marvel Universe since 1960. Yup! Groot made his first appearance in TALES TO ASTONISH #13 and is credited to – guess who? Stan Lee, and Jack Kirby along with a fella named Dick Ayers who also contributed to the creation of Iron Man.

Don’t be surprised if that alien shown in the T.A.H.I.T.I. episode of Agents of S.H.I.E.L.D. turns out to be Groot regenerating in that giant test tube. He is, after all, an alien plant species that was once held captive by S.H.I.E.L.D., became member of Nick Fury’s Howling Commandos and was later selected by the Kree to join the Guardians of the Galaxy to battle Ultron and the Phalanx where he sacrificed his life only to be brought back from the dead by Rocket Raccoon who managed to regrow him  by planting  one of his branches.

Nah!  That shit only happens in comic books.

Marvel Studios is working with a gold mine of material even after licensing out huge properties like Spider-man, X-Men and The Fantastic Four. Thanks to work-for-hire conditions in the comics industry the bulk of that material was produced for a  mere page rate and most of those creators that originally built that universe will never see a thin dime in royalties delivered to them or their heirs, especially not those of the late Jack Kirby whose creative genius is associated with most of this current crop of film and television that the Marvel Universe is built on.

Maybe, like Groot, there is hope that a seed, a branch or a twig could be planted and justice could grow from a bad deal that has been declared dead.

Remember, that without those comic books, none of these films and television shows will have ever existed and neither will have all the industry that is built around licensing and merchandising them, creating tons jobs that help support our economy.

What entertainment would we be enjoying this summer without Joe Simon, Jack Kirby, Stan Lee and the rest of those comic book creators?

Without them there is no Marvel Universe to assemble.

Making Comics Because We Want to,

Gerry Giovinco



Baseball Cards, Slurpee Cups and Comic Books

Monday, June 20th, 2011

It has been popular lately to reminisce about personal early comic book reading experiences. We all remember the moment that our imagination was permanently captured by the medium and, of course, the experience is unique for everyone. Don Lomax who’s CAPTAIN OBESE comic is a feature here at CO2 Comics recently talked about his early comic reading experiences and how they influenced his comic creating in this interview.


As for my own experience, comic strips were my first introduction to sequential art. I remember, when I was a very young child, anxiously looking forward to the Sunday paper each week so I could sprawl out on the floor and be mesmerized by the colorful pictures that seemingly came to life on the expansive sheets of paper. I couldn’t read but I had a good sense for what was going on especially in the action comics I was drawn to like Buck Rogers, Prince Valiant, Popeye, Alley Oop and Dick Tracy.

Buck Rogers, Prince Valient, Popeye, Alley Oop, Dick Tracy.

Silly Putty made reading the comics more tactile as I was fond of capturing the images on the rubbery clay and distorting them with seemingly limitless possibilities.  This was probably how I conjured the first notion that I could exercise my creative urges with comics.  A long weekend afternoon of rolling gleefully on sheets of newspaper  would leave me fully smudged with cheap ink, my toddler’s clothes permeated with the musty odor of newsprint and my imagination broadened with the endless creative potential that was  exhibited in those color drenched comics.

My local newspaper, the Norristown TIMES HERALD had a weekly supplement for children, it was a four-page, black-and-white,  pull-out called TINY TURTLE that was mostly a cartoony activity sheet that encouraged children to color, draw, do puzzles, read and learn. It featured a monthly calender and was always specific to the season. This came in the Saturday edition of the paper ensuring that my childhood weekends were fairly occupied by my local press.

Gerry Giovinco after open heart surgery

Collections of Charles Schulz’ PEANUTS were my first recollection of enjoying comics bound by covers. My uncle would bring the pocket book size collections over to amuse me while I recovered from open heart surgery. I was nine years old and I would read them front to back before ever putting them down. They were the best distraction from my physical ailments and proof that laughter was, in fact, the best medicine. Nothing was funnier to me than the exploits of Charlie Brown, Snoopy and the gang and I would torture my family by reading the gags aloud and describing the pictures. Somehow the jokes were never as funny when I retold them but my own sides still split with laughter upon each retelling.

I was an avid reader in grade school and gravitated toward adventure and mystery stories. I remember enjoying series books like The BOBBSEY TWINS, The HARDY BOYS and TOM SWIFT. During this time I remember Big Little Books capturing my attention as well.  Big Little Books were chock full of illustrations on every other page and I found myself just as drawn to the images as I was toward the words.

Trips to the barber shop were where I first encountered comic books. I remember there being two magazine racks in the back of the shop, one for the men and the other for the boys. The men’s rack was chock full of PLAYBOY magazines and the best way to get a glimpse of their voluptuous subject matter was to spend as much time as possible by the other precariously close rack that contained comic books.

Though the comics were at that point a precocious end to a means, I would spend a lot of time thumbing through them and I soon discovered that there was a difference between the Marvel and DC comics. The DC comics at the time had a lot of short stories in them and I found that I could enjoy them more because I could get a full story while I waited. The Marvel comics always left me hanging and though I found the images and story more dynamic, I would always be left disappointed, not knowing how the story ended.

As I became a little more independent I would make frequent trips to the local 7-11 convenience store that could be reached through a network of shortcuts through neighbors’ yards. The mission was always the same, milk and bread for Mom, baseball cards and Slurpees for me and my brothers.

The Slurpee cups at the time had images of baseball players on them and my brothers and I were avid collectors, especially hunting for cups of our beloved Phillies.  We were always on the prowl for cups featuring our heroes Steve Carlton, Greg Luzinski, Larry Bowa and Mike Schmidt. Inevitably we had stacks of those baseball cups featuring stars from every team in MLB. This went on for a couple of seasons then one day everything changed. The Slurpee cups featured something different… Marvel characters!

Captain America 167

I had already been picking at comics and had, despite my earlier convictions about Marvel comics, recently been enamored with issue #167 of CAPTAIN AMERICA and the FALCON by Steve Englehart and Sal Buscema. I remember rushing home and reading it beneath a peach tree in my back yard on a particularly balmy fall day, I then spent  the afternoon recreating the cover while sitting at the dining room table.

Captain America Slurpee Cup

The Slurpee cup completist in me along with the Marvel story arcs  fueled my need to collect the comics and soon I was a master at knowing the delivery dates of the magazines of every convenience and drug store in my immediate area. I started collecting only CAPTAIN AMERICA then titles that featured CAPTAIN AMERICA soon I found Cap crossing over into title after title and before I knew it I was hooked on the whole Marvel Universe.

In the process I was collecting those Slurpee cups too and found that I loved to copy the classic images off the cups. I probably learned more about drawing the human figure from those images on the cups than any single other resource at the time.

By the time I got to high school my fate was sealed. I knew I wanted to make comics when I grew up and that became the focus of my education until I left college to co-found COMICO the Comic Company.

Making Comics Becuse I Want To

Gerry Giovinco



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