Posts Tagged ‘Stephen Bissette’

David Anthony Kraft’s COMICS INTERVIEW: The Complete Collection TWO THOUSAND Pages and Counting!

Tuesday, November 25th, 2014

First Three Volumes of Eleven Volume Set
on Sale NOW!

CO2 Comics has embarked on a massive endeavor to compile the entire 150 issue run of David Anthony Kraft’s COMICS INTERVIEW magazine that is regarded as the greatest collection of interviews in the history of comics.

To date, 42 issues, comprised of over 2,000 pages, have been meticulously scanned, cleaned, formatted and printed in the handsome, first three volumes of the planned eleven volume set. Volume four is currently in production.

Each printed volume packed with nearly 700 black and white pages of art, photos and interviews is available in either paperback or hard cover versions of two special editions:

The Premier Edition features, on its full color cover,  a customized version of the original COMICS INTERVIEW logo which utilized stylized characters from famous comic book titles. This logo appeared only on the first 24 issues of the magazine and is loved by many for it’s homage to comic book icons.

The Standard Edition alternatively features a similarly customized version of the traditional Comics Interview logo that graced the cover of the remaining 126 issues and may be the one that is endeared to the hearts of many fans, especially those that enjoyed its Pac Man font.

The four distinct versions of the printed package give fans of the magazine an opportunity to complete their collection of the set in a consistent manner that suits their personal tastes and will ultimately be an extraordinary addition to their library.

The importance of this collection to comic fans and historians can not be overstated.

Originally published from 1983 to 1995, COMICS INTERVIEW gave voice to the comics industry at a pivotal time in its history. The magazine was able to provide insightful interviews with writers, artists and editors that were active in the earliest days of the industry as well as the young creators whose careers since continue to shape the industry today.

Page by page, volume by volume, David Anthony Kraft’s COMICS INTERVIEW The Complete Collection is an accurate, candid, and authoritative  perspective of the history of comics that comes directly from the mouths of the people that lived it.

Amazingly relevant to current issues that affect the industry, every volume is a necessary source of vital information for anyone who wants a complete understanding of the comics industry as a whole.

The first three volumes alone present interviews with about 230 individuals that all made a mark on the history of comics. Without slighting the contributions of any, here is just a short list of some of the influential subjects:

Terry Austin, Howard Chaykin, Gerry Conway, Jack Davis, Dick Giordano, Joe Kubert, Stan Lee, Wendy & Richard Pini, Jim Shooter, Roy Thomas, Marv Wolfman, Karen Berger, John Byrne, Colleen Doran, Steve Gerber, Dave Gibbons, Bill Willingham, Scott McCloud, Stephen Bissette, Bob Burden, Frank Frazetta, Bob Kane, Jack Kirby, Jerry Robinson, Frank Miller, Walt & Louise Simonson, and many, many more!

An accurate list of the interviews contained in each volume can be found in the book previews on the CO2 Comics Storefront on LULU and AMAZON where you can easily purchase your copy of each volume today! Buy one or buy all three and you will be anxious to complete the whole set as each new volume is released.

David Anthony Kraft’s COMICS INTERVIEW The Complete Collection is a massive and beautiful centerpiece intended for any comics library. Accumulated one volume at a time or in convenient bundles, it continues the tradition of anticipation and fulfillment that is experienced by every comic collector. If you love comics, now is the time to begin your own collection of the greatest interviews in the history of comics. Order your copies today!

Gerry Giovinco

Copyrights, Trademarks and Comics, Oh My!

Monday, February 20th, 2012

The legal forrest that the Yellow Brick Road travels through on the way to success as an independent comic creator or publisher just became a scarier place.

Gary Friedrich

It is probably fitting that the demonized Ghost Rider character has lit the torch with his blazing skull.

Regardless of your opinion as to wether Gary Friedrich should be compensated for his contribution to the creation of the character of Ghost Rider and the unfairness of the court’s ruling against him, it is Marvel’s victory in a countersuit against him that has turned the hourglass on end and the sand is running out.

In a brilliant facebook entry written by the esteemed Stephen Bissette he raises the alarm for artists in artist alley that sell sketches of trademarked characters without consent. In the blog he explains the legal necessity of Marvel’s enforcement. They have a responsibility to actively protect their trademarks or risk losing them.

From the cover of Comico Primer #2

This practice of due diligence is nothing new. When we had just published our second issue of Comico Primer back in 1982 we received a Cease and Desist letter from Will Eisner referring to a character featured in the comic whose name was Spirit. Spirit was a female robot that had absolutely no similarities whatsoever to Eisner’s character The Spirit.  We had never even considered that there would or could be a conflict.

Will Eisner appreciated that we were young and naive and explained that he paid lawyers to protect his properties. Their job was  to seek out potential conflicts and he had a responsibility to follow through on their findings to protect his interests. Needless to say we were embarrassed and humbled by the graciousness of this man that we already had great respect and admiration for. We were sure to honor his simple request that we not use the name Spirit especially not on a cover of one of our comic books.

It strikes me that it was a lot easier for a comic artist like Will Eisner to police the comic industry for copyright and trademark infringement in 1982 than it would be today. Thirty years ago there were just a few publishers in the market and a handful of fanzines. There was no internet with a seemingly endless selection of web comics and there were surely not the tremendous number of comic creators that exist today.

The Friedrich vs. Marvel case has magnified the necessity of protecting one’s trademark. If a huge corporation like Marvel/Disney finds it necessary to hassle Gary Friedrich over $17,000  because those sales of prints he sold in artist alley at comic book conventions could jeopardize their claim to trademark, how safe can the trademarks of smaller companies be?

Should every small publisher, self publisher and comic artist be canvasing comic conventions and the internet, prepared to rifle out a C&D letter to every potential infringer? How can small publishers and creators afford to do it without the funds or the time to execute such an endeavor? How vulnerable are our intellectual properties?

Imagine if some guy is a big fan of your character and goes to every convention getting every artist he finds to draw a picture of your character. Proud of his collection he displays it all over facebook, and his website. Another company likes your character and discovers all these images that were created by unlicensed vendors, in this case artists in artist alley, and feel that they have deep enough pockets to argue that the trademark has been left exposed.

Marvel’s victory over their assertion that Friedrich’s sales in artist alley were a credible threat to their trademark establishes a precedent that will influence future rulings. Make no mistake, the big boys will go after the competition and will do whatever it takes to win.

The Forgettable's

Marvel took a shot at the insanely popular Rocketeer back in the 80’s claiming it infringed on characters that they had that were also called Rocketeers. Their characters were minor characters buried in a forgettable story. Dave Steven’s had to fight for years to defend his property tying up capital that could have been used more productively.

This may all seem like paranoia until it actually happens but who wants to be the first victim. The industry has been buzzing over piracy now for some time. The threat of piracy is nothing compared to the threat of trademarked properties being totally hijacked by unscrupulous competitors.

Comic creators, please get educated on copyright and trademark laws. They can be your friends or your enemies. Don’t let your ignorance on the subject make your property a hostage as you travel that long, arduous Yellow Brick Road to success.

Celebrating Thirty Years of Comics History!

Gerry Giovinco

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