Posts Tagged ‘Jerry Robinson’

Happy Hanukkah to the World of Comics and Comic Books!

Tuesday, December 16th, 2014

Since today is the first day of Hanukkah this year, we at CO2 Comics would like to wish a very “Happy Hanukkah” to all of our Jewish friends and family in the great world of comics and comic books!

It is now widely accepted history that immigrated Jewish Americans are largely responsible for the development of the early comic book industry. Without trivializing the significance of Jewish publishers, printers and distributors of the 1930’s, just try to imagine a comic book industry without this very short list of comic book pioneer creators that were all Jewish:

Jerry Siegel

Joe Shuster

Jack Kirby

Joe Simon

Bob Kane

Bill Finger

Jerry Robinson

Stan Lee

Just imagine a world of comics without Superman, Batman, Captain America and the bulk of the Marvel Universe created or co-created by these eight men that stand out as brilliantly as the eight candles to be lit on a festive Hanukkah Menorah!

A more comprehensive list of Jewish cartoonists that were leaders in the industry can be found here.

The contributions of these creators of Jewish decent can not be overstated. Without any small percentage of them comics, as we know them today, would not exist.

This is the time of year when everyone tip-toes around espousing the phrase, “Happy Holidays,” essentially offending people they are trying not to by sterilizing their greetings. In the process of this dilution we lose site of the beauty, significance, and  contributions of the cultures that celebrate uniquely different holidays.

As an independent comics publisher CO2 Comics has always recognized the value of diversity in the comics medium. Our appreciation of the history of our industry strengthens the value of that diversity every day. Though we may not personally celebrate all of these holidays it is with great conviction that we recognize that we are influenced regularly by others that do.

So, Happy Hanukkah, Joyous Kwanzaa, Merry Christmas and a Fabulous Festivus to you all!

Gerry Giovinco



First Hand History From Those That Passed

Tuesday, December 9th, 2014

With the recent release of  Volume 3 of David Anthony Kraft’s COMICS INTERVIEW: The Complete Collection www.comicsinterview.com it is hard not to acknowledge the number of great comic creators, fans and industry observers who graced the pages that are no longer with us.  It is a sad truth that, thirty-plus years since the first issue of COMICS INTERVIEW was originally published, many of the great subjects of those interviews have passed away, taking with them their unique perspective of the comics industry and their direct involvement in it.

For this reason and for the inevitable fact  the list of deceased will grow, COMICS INTERVIEW: The Complete Collection becomes an extremely valuable facet of the history of comic books because it captures the insights of those that are gone and preserves them for generations of comic enthusiasts to come.

COMICS INTERVIEW: The Complete Collection amasses comics history directly from the mouths of those that lived it.  Many of the interviewees were there from the beginning. Some, like writer Gaylord Dubois born in 1899, were alive before the first comic book was printed!  COMICS INTERVIEW relays their perspective first hand like no other history book of this industry can or ever will.

The first three volumes of this collection reveal the words of over thirty industry insiders and observers that will never be heard again. The list is inspiring and saddening because these people were all, at some point, the heartbeat of the industry and left a legacy that continues to grow and inspire the medium today and well into the future.

Jack Abel – 1927-1996 – Artist

Alfred Bester – 1913-1987 – Writer

Dave Cockrum – 1943-2006 – Artist

Joe Colquhoun – 1924-1987 – Writer

Robert Culp – 1930-2010 – Fan on Screen

Arnold Drake – 1921-1997 – Writer

Gaylord Dubois – 1899-1993 – Writer

Jules Engle – 1909-2003 – Artist

Gardner Fox – 1911-1986 – Writer

Frank Frazetta – 1928-2010 – Artist

Steve Gerber – 1947-2008 – Writer

Dick Giordano – 1932-2010 – Artist

Dick Goldwater – 1936-2007 – Archie Publisher

Archie Goodwin – 1937-1998 – Writer/Editor

Jerry Grandenetti – 1926-2010 – Artist

Jack “Jaxon” Jackson – 1941-2006 – Writer/Artist

Carol Kalish – 1955-1991 – Marvel Sales Director

Bob Kane – 1915-1998 – Artist

Jack Kirby – 1917-1994 – Artist

Roy Krenkel – 1918-1983 – Artist

Joe Kubert – 1926-2012 – Artist

Jerry Robinson – 1922-2011 – Artist

Fred Rogers – 1928-2003 – Fan on Screen

Phil LaSorda – 1960-2008 – Comico Publisher

Carl Macek – 1951-2010 – ROBOTECH Producer

T. M. Maple – 1956-1994 – Fan Incognito

Joe Rosen – 1920-2009 – Letterer

George Roussos – 1915-2000- Artist

Adrienne Roy – 1953-2010 – Colorist

Don Thompson – 1935-1994 – CBG Editor

Kim Thompson – 1956-2013 – Fantagraphics Publisher

William Woolfolk – 1917-2003 – Writer

Those that have passed are now memorialized in a photo album on facebook that can be seen here and will be updated when needed and as each new volume is released so be sure to “like” the COMICS INTERVIEW page.

It is no mistake that the promotional graphic we chose this Holiday Season was of the Three Wise Men bearing the first three volumes of David Anthony Kraft’s COMICS INTERVIEW: The Complete Collection. To us the books contain the wisdom of many, regarding the comics industry, and represent the foundation that the entire medium of comic art is built on.

If you love comics and value the rich history of the medium  then be sure to add David Anthony Kraft’s COMICS INTERVIEW: The Complete Collection and other great CO2 Comics graphic albums to your bookshelf today.

Gerry Giovinco



Just in Time for Christmas!

Tuesday, December 2nd, 2014

Santa has something special for that growing number of fans out there that are building their complete set of David Anthony Kraft’s COMICS INTERVIEW: The Complete Collection.

VOLUME THREE is ON SALE NOW!!

VOLUME THREE, like the two volumes, before is packed with over 650 pages if incredible interviews from members of all aspects of the comics community! Though every interview is an amazing slice of comics history, who could pass on reading interviews these included industry giants: Jack Kirby, Frank Frazetta, Archie Goodwin, Walt &Louise Simonson, Frank Miller, Bob Kane, Jerry Robinson, Steve Gerber,  and many more!

Remember, It is never too late to jump on the bandwagon and start your collection of any CO2 Comics product from David Anthony Kraft’s COMICS INTERVIEW: The Complete Collection to any of our great graphic novels and t-shirts because they are all available on-demand any day of the year!

For your convenience, here is a complete list of all available product:

COMICS INTERVIEW the Complete Collection Volume 1 by David Anthony Kraft – 680 pages

Paperback  Edition – $34.99

Hard Cover Edition – $54.99

Comics_Interview_Volume_2_Standard_cover

COMICS INTERVIEW the Complete Collection Volume 2 by David Anthony Kraft – 688 pages

Paperback  Edition – $34.99

Hard Cover Edition – $54.99

COMICS INTERVIEW the Complete Collection Volume 3 by David Anthony Kraft – 656 pages

Paperback  Edition – $34.99

Hard Cover Edition – $54.99

“The Greatest Collection of Interviews in the History of Comic Books!” these are the first three volumes of an eleven volume set that compiles the entire 150 issue run of David Anthony Kraft’s celebrated Comics Interview Magazine. Featuring interviews with nearly one hundred comic book professionals and fans, many of which are legends in the industry, this volume has 680 black-and-white pages of incredible photos, illustrations and text that will dazzle your eyes and remind you, page after page, why comics are special to you. A must-have reference work for every comics library, collector and researcher COMICS INTERVIEW accesses the heart and soul of the comics industry which has given the world 70 years of comic book art, literature, and tradition.

If you love comics — you will love COMICS INTERVIEW: The Complete Collection!

All volumes are available in both Premier and Standard editions featuring your choice of  Classic or traditional  COMICS INTERVIEW  logos!

Doggie Style – The Complete Dog Boy by Steve Lafler – 488 pages

Paperback  Edition – $29.99

Hard Cover Edition – $49.99

Imagine an enthusiastic, ambitious young artist of the 1980s who happens to have an enormous golden retriever head on a human body. Given to flights of fancy and the odd meditation on the truly mundane, this Dog Boy searches for meaning, all too often via a six pack of Rainer Ale pounders!

Steve Lafler sat down from 1882 to 1988 and drew nearly 500 pages of Dog Boy. Most of the time, he drew with no script, and in fact looked to emptying his mind before putting pencil to bristol board.

The entire results are collected here in in the 488 page omnibus, DOGGIE STYLE The Complete DOG BOY! Now you can pay witness to the genius that flowed from Steve’s streaming consciousness as he created one of the most truly independent comic works of all time!

NOTE: Content intended for MATURE readers.

Heaven and the Dead City by Raine Szramski – 64 pages

Paperback  Edition – $14.99

Hard Cover Edition – $24.99

There is nothing alive anymore in the Dead City – or is there? Two cities: one dead… …the other, vibrant and alive. But for Palus, the supposedly enlightened city of Zivvon was dead in a different way. Their intolerance of earth magick in favor of the intangible church-sanctioned magic of heaven weighed heavily on him. After all, Palus had been born a witch. Two cities: one beautiful and flourishing… …the other, not quite as dead as it would seem. Yaira knows this as well as anyone. It wasn’t safe to linger within the walls of Tac. Her mother had made that mistake and paid the price for it. Her father had warned her – Get in, get what we need and get out! But Yaira had inherited her mother’s curiosity. And now something in the Dead City was growing curious of her.

Ménage à BUGHOUSE by Steve Lafler – 408 pages

Paperback  Edition – $24.99

Hard Cover Edition – $39.99

Ménage à BUGHOUSE collects the funky jazz noir BUGHOUSE trilogy by Steve Lafler in one volume.

Tenor saxophone maestro, Jimmy Watts, leads his talented band of bugs from the swing era into the uncharted maelstrom of Bop. And as he and his band mates claw their way to the top of the jazz world, they must fight the temptation to be consumed by addiction to a substance known as “Bug Juice”.

NON by Chris Kalnick – 52 pages

Paperback Only – $14.99

This collection of the comic strip NON, The Transcendental Extraterrestrial by Chris Kalnick will tickle your soul. NON’s unique perspective of our humanity is a window through which we gain profound insight through the sheer simplicity of his observations. This little alien is a teacher and his thoughts are inspiring. NON’s epilog, A Sensory Neuron’s Quandary, will redefine life’s purpose for those seeking a pointed answer.

52 pages of powerfully, humorous, light-hearted introspection that is beautifully drawn by Kalnick will satisfy your need to be one with the universe but will have you begging for more NON adventures.

The Adventures of ROMA by John Workman – 98 pages

Paperback  Edition – $19.99

Hard Cover Edition – $29.99

This 98 page graphic novel is created by John Workman, whose extensive experience in the comic book field is evident in every panel. Workman introduces us to ROMA, a woman of mystery…even to herself… as she finds life, death , love, and perhaps mankind’s final redemption in this fantasy/science fiction graphic novel. ROMA is the story of a girl who is so much more than merely super-human!

Beautiful art, compelling story and haunting questions make ROMA irresistible.

The Heavy Adventures of Captain Obese by Don Lomax – 108 pages

Paperback  Edition – $19.99

Hard Cover Edition – $29.99

The Heavy Adventures of CAPTAIN OBESE. Originally published by WARP GRAPHICS in the late 1980s. The comic has always been near and dear to Don’s heart since looking at CAPTAIN OBESE for him is like looking in a mirror. The comic collected some flack from the whining politically correct crowd back when it was first published but who other than a morbidly obese artist should depict a morbidly obese super hero? That was back in the days when everybody was thin. Today? CAPTAIN OBESE is the norm.

T-Shirts – $19.99 each

COMICS INTERVIEW T-Shirts featuring retro and Platinum COMICS INTERVIEW Logos.

Death Fatigue T’s- The syndrome that is gripping the readers of comic books all across the nation. Is there no end to the carnage that is being brought upon our favorite heroes by the editorial staffs of the biggest publishers in the comic industry?

Super Death Fatigue

Bat Death Fatigue


Cap Death Fatigue

Spider Death Fatigue

Now is your chance to put together your wish list for Santa or get that special gift for the comic fan or historian in your life.

Gerry Giovinco



David Anthony Kraft’s COMICS INTERVIEW: The Complete Collection TWO THOUSAND Pages and Counting!

Tuesday, November 25th, 2014

First Three Volumes of Eleven Volume Set
on Sale NOW!

CO2 Comics has embarked on a massive endeavor to compile the entire 150 issue run of David Anthony Kraft’s COMICS INTERVIEW magazine that is regarded as the greatest collection of interviews in the history of comics.

To date, 42 issues, comprised of over 2,000 pages, have been meticulously scanned, cleaned, formatted and printed in the handsome, first three volumes of the planned eleven volume set. Volume four is currently in production.

Each printed volume packed with nearly 700 black and white pages of art, photos and interviews is available in either paperback or hard cover versions of two special editions:

The Premier Edition features, on its full color cover,  a customized version of the original COMICS INTERVIEW logo which utilized stylized characters from famous comic book titles. This logo appeared only on the first 24 issues of the magazine and is loved by many for it’s homage to comic book icons.

The Standard Edition alternatively features a similarly customized version of the traditional Comics Interview logo that graced the cover of the remaining 126 issues and may be the one that is endeared to the hearts of many fans, especially those that enjoyed its Pac Man font.

The four distinct versions of the printed package give fans of the magazine an opportunity to complete their collection of the set in a consistent manner that suits their personal tastes and will ultimately be an extraordinary addition to their library.

The importance of this collection to comic fans and historians can not be overstated.

Originally published from 1983 to 1995, COMICS INTERVIEW gave voice to the comics industry at a pivotal time in its history. The magazine was able to provide insightful interviews with writers, artists and editors that were active in the earliest days of the industry as well as the young creators whose careers since continue to shape the industry today.

Page by page, volume by volume, David Anthony Kraft’s COMICS INTERVIEW The Complete Collection is an accurate, candid, and authoritative  perspective of the history of comics that comes directly from the mouths of the people that lived it.

Amazingly relevant to current issues that affect the industry, every volume is a necessary source of vital information for anyone who wants a complete understanding of the comics industry as a whole.

The first three volumes alone present interviews with about 230 individuals that all made a mark on the history of comics. Without slighting the contributions of any, here is just a short list of some of the influential subjects:

Terry Austin, Howard Chaykin, Gerry Conway, Jack Davis, Dick Giordano, Joe Kubert, Stan Lee, Wendy & Richard Pini, Jim Shooter, Roy Thomas, Marv Wolfman, Karen Berger, John Byrne, Colleen Doran, Steve Gerber, Dave Gibbons, Bill Willingham, Scott McCloud, Stephen Bissette, Bob Burden, Frank Frazetta, Bob Kane, Jack Kirby, Jerry Robinson, Frank Miller, Walt & Louise Simonson, and many, many more!

An accurate list of the interviews contained in each volume can be found in the book previews on the CO2 Comics Storefront on LULU and AMAZON where you can easily purchase your copy of each volume today! Buy one or buy all three and you will be anxious to complete the whole set as each new volume is released.

David Anthony Kraft’s COMICS INTERVIEW The Complete Collection is a massive and beautiful centerpiece intended for any comics library. Accumulated one volume at a time or in convenient bundles, it continues the tradition of anticipation and fulfillment that is experienced by every comic collector. If you love comics, now is the time to begin your own collection of the greatest interviews in the history of comics. Order your copies today!

Gerry Giovinco



SUPERHEROES™: The Never Ending Bullshit – Truth, Justice and Corporate Greed Part 2

Tuesday, November 12th, 2013

JUSTICE: in Part 1 of this series I took at look at how the  PBS documentary, Superheroes: The Never Ending Battle obscured Truth by omission, enforcing  the public perception that the only superheroes that exist in our global culture are the ones attributed to Marvel and DC. There is no Justice to the pantheon of creators, publishers and characters that have made significant contributions to the impact that the genre superheroes has made as a whole on our society

If only this was the sole lack of justice attributed to this documentary. The comic book industry has a long history of injustice when it comes to the treatment of creators. To its credit, Superheroes: The Never Ending Battle, does make an attempt to identify the major sin of exploitation of impoverished, immigrant, young men during the Great Depression. But rather than identify it as a significant moral failure  it was portrayed almost as a badge of honor.

Legendary late creators like Joe Simon, Jerry Robinson, Carmine Infantino, and Joe Kubert emphatically embraced the practice of sweat shop ethics and corporate ownership of all works defining it as as business as usual.

95-year-old Irwin Hasen barked into the camera that “The companies owned everything!” , “You got nothing but a page rate!”, and “we worked our asses off!” “That’s the way it was!”

This all aired almost as an eyewitness testimony to to the challenges of the Kirby Family who were seeking copyright revision of works co-created by their late father Jack Kirby for Marvel during the 1960’s. It seems no coincidence that just a week after the series was first broadcast the courts denied their final attempt to appeal holding to the premise that his creations were work for hire and were owned exclusively by Marvel.

Joe Shuster, Neal Adams, Jerry Siegel and Jerry Robinson celebrate their victory over DC Comics in 1975

The series focused only on the the battle of Superman creators Jerry Seigel and Joe Shuster stimulated by the impending success of the first Superman movie in 1978.  They failed to mention that Seigel and Shuster had challenged DC continually since they returned from their service in  WWII and it was not until Neal Adams and Jerry Robinson led a campaign to publicly shame DC and Warner Bros. that the men saw any long term agreement that would prevent them from dying impoverished and guaranteed that they would receive credits as the creators of the character.

Jenette Kahn, former President of DC Comics,  proclaimed the Seigel and Shuster victory as a triumphant day in the history of comics as if a great blight  had been lifted from the industry when in fact it was just the tip of a huge iceberg that the audience is expected to be kept unaware of.

It is ironic that the parade of commentators  waxing nostalgic on the screen represented a number of creators and historians who have been very vocal in the area of creators rights. I can only assume that their words were taken out of context or left on the cutting room floor to create the impression  that all is hunky-dory  in Superheroland and potentially discredit their objecting positions.

Gerard Jones who wrote the scathing book Men of Tomorrow about the career spanning injustices toward Seigel and Shuster and the historic ties of comics and organized crime.

Arlen Schumer who just did a symposium at the Kirby Museum and who has been a long time vocal supporter if the Kirby contention.

Mark Evanier, a Kirby collaborator who was instrumental in supporting Jack Kirby’s  independent work and Jack’s battles with Marvel since the 1970’s

Joe Simon who settled with Marvel over rights to Captain America in 1968,

Neal Adams one of the first creators to stand up for creators rights who famously demanded the return of original art and attempted to for one of the first creator unions in comics. His Continuity comics line also stands as one of the early great independent comic book publishers if the 1980’s.

Jerry Robinson an outspoken creators rights activist who led the charge with Neal Adams to aid Seigel and Shuster,

Stan Lee who won a 10 million dollar settlement in 1992 over characters he co-created with Kirby but who has always been a self proclaimed “company man” and Marvels biggest mascot and cheerleader.

Gerry Conway who recently reached out to fans to help him receive royalties owed by DC Comics.

Marv Wolfman who has struggled with Marvel over compensation for the creation of Blade which has become one of Marvel’s early successful film franchises.

A shout out to Jerry Ordway for his suggestion to kill Superman which led to the Death of Superman event that rocked the industry in the 1990’s mocked his recent plea to get any kind of work in the current market.

The use of video of Jack Kirby, as heartwarming as it was, also belied the battles that Jack had with the industry, especially Marvel.

But the most  galling segment was video of Alan Moore quoting from The Watchmen intended to create the impression that Moore who has been adamantly unhappy with the treatment of his work and how DC has exploited his contract  and who is now watching Marvel do the same with his work on Marvel Man is somehow happy about the current conditions of the industry.

Any one who has paid any attention to the comics industry knows that Alan Moore is so disgusted with DC and now Marvel that he refuses to allow them to use his name on their products. Though it is impossible to ignore the influence his works have had on the industry it is also a mockery to show him almost gleefully quoting from his script without detailing his conflicts with the industry which are as legendary as his comics.

Intentionally ignored was an entire movement to establish creators rights in comics and decades of work by independent publishers to produce superheroes and alternative comics that are owned by their creators. According to Superheroes: The Never Ending Battle only one small band of insurgent creators ever found industry practices so unpleasant that they splintered off to form Image.

Many, Many, creators ventured away from Marvel and DC to pioneer independent works long before the boys at Image even began working in comics. To even begin a list would be a monumental task.

Justice was ignored in this documentary that focused only on a band aide applied to an open sore while a cancer looms beneath the surface. Creators continue to get a raw deal in the comics industry just as they did 75 years ago. They create heroes that represent Truth Justice and the American Way but they are victims of obscured Truth, denied Justice and Corporate Greed. Actions all masked  to conceal their true identity in this series, like the colorful superheroes they intend to glorify.

Next up is Corporate Greed. Is it really the American Way?

Gerry Giovinco



Superheroes™: The Never Ending Bullshit

Tuesday, October 29th, 2013

“Superheroes: The Never Ending Battle” is a three part documentary that recently has been airing on PBS. If you hurry you can also watch it streaming on the PBS website right here.

On the surface this series seems to be a beautifully produced and thoughtful presentation about the history of superheroes and comic books in America and their influence throughout the world.

Most comic fans that grew up reading comics or enjoying superheroes in any era will wax nostalgic as they see the devotion that is poured into the process of documenting how the creators of superhero adventures were influenced by the world around them.

The highlight of the series for me were video interjections by legendary comic creators, many of whom have already passed away. Watching Joe Simon, Jack Kirby, Joe Kubert, Jerry Robinson, and Carmine Infantino speak about comics couldn’t help but choke me up.

The series also did a wonderful job of representing women in the industry with video commentary by Ramona Fradon, Jennette Kahn, Trina Robbins, Louise Simonson, and Christina Strain.

I would love to say that this was a benchmark documentary about the history of comics but I can’t because what I witnessed was more like propaganda mechanism for Marvel and DC. This series in all of its splendor effectively trivialized any accomplishments in the battle for creators rights. It completely ignored the influence of the Direct Market. It  erased the impact of decades of Independent comics with the notable exception of Image. No mentions off the tremendous impact that European or Japanese comics had.

I realize that it is unrealistic to expect every last detail of a 75 year history into a three hour documentary. I also recognize now, more clearly than ever, why the word superhero and the derivatives of it should not be allowed to be used as a trademark jointly by Marvel and DC exclusively.

What this series did effectively accomplish was to blur the distinction between the history of Supeheroes™ and the history of Comic Books as a whole by defining the impression for the general public that Superheroes™ = Comic Books and that Comic Books = Marvel and DC with the tip of a hat to Image, apparently the only independent to successfully publish another unique superhero.

NEWS FLASH! There are many independent publishers that have made comic books that featured superheroes! Superheroes also exist in other media and in other countries. All characters represented in the superhero genre are NOT owned by only Marvel and DC as much as they would like you to think that. This was not represented at all in this documentary and I believe it is unfair to dismiss the accomplishments and struggles of so many who also had great superhero stories to tell.

“Superheroes: The Never Ending Battle” is typical of the type of bullshit that big corporations do to gloss over the undesired truth.  “Smear lipstick on that pig and everyone will be happy and buy into what we have to sell.” ” Pay no attention to the man behind the curtain!”

Truth be told, there could have been a three part series just on the battles that Jerry Siegel and Joe Shuster fought over their rights to Superman or the battles that Jack Kirby had with Marvel for compensation and to have his art returned.

There could be a three part series on the rise of the Direct Market and how the barrage of  quality Independent publishing in the 1980’s had  Marvel and DC on the ropes.

There could be a three part series on how the internet and digital delivery has changed how comics are created published and viewed.

They would all represent true and vital information for anyone interested in an accurate history of the never ending battle of creating superheroes and comics in a market dominated by corporate interests intent on squelching any potential competition to their mythic intellectual property that they gained from the exploitation of the imaginations of mostly young, impoverished children of immigrants searching for and expressing their own American Dream.

If you have watched the series and got that great warm and fuzzy superhero nostalgic rush, I want you to know that I had it too.  I also have a tremendously deep appreciation for the medium of comics and a tremendous respect for the genre of superheroes and though it is wonderful to see the genre presented in such a positive light I think it would be great if audiences understood and valued the true history of superheroes and not the mythology of the mythology influenced only by two enormous corporations.

Next week I will begin a series of my own on this blog that will take a closer look at how “Superheroes: The Never Ending Battle” diluted the real history of superheroes.

Making Comics Because We Want to,

Gerry Giovinco



Legends Lost

Monday, December 19th, 2011

Jerry Robinson & Joe Simon

This month, as the holiday season celebrated by gift giving approaches its crescendo, the comic industry has lost two giants in the field that have played significant roles in giving the world the gift of a comics industry that we have all come to know and love. Without the creative efforts and genius of these two men the Golden Age of comics may have been nothing more than a blip on our cultural radar. They, along with all the Golden Age comic book pioneers, gave a gift that keeps on giving: their talents, energies and inspiration. We could never thank them enough.

Jerry Robinson, 89  and Joe Simon, 98 passed away one week apart, reminding us that the light of their generation of creators is nearly extinguished.

Jerry Robinson was the creator of the Joker, a nemesis that defined the Batman. Robinson also co-created the boy wonder, Robin, but was probably most notable for his valiant championing of creator’s rights. He fought for compensation to Superman creators Siegel and Shuster. He went as far as traveling to Uruguay and the Soviet Union to help free jailed political cartoonists. He was dauntlessly motivated to protect creators.

Joe Simon was an industrious creator  having been a writer, artist, editor and publisher. He teamed with Jack Kirby to co-create Captain America and many other superheroes while also pioneering the comic genres of romance, horror and satire.

I’ve written in the past about the legacy and lessons that comic creators leave behind when they die. This is true of these two legends as well.

Regarding the current tough economic times that most creators face, inspiration can be found in Joe Simon’s words from a 2009 interview with Graphic NYC:

There were a lot of times when artists were unemployed in this business, and we had to make our own jobs by creating something off the beaten track, a new type of hero or something entirely different like Young Romance. We were the guys that were up to the task.”

Ever resourceful and resilient Simon forged paths in the industry that created jobs and opportunities not just for himself and his partner but generations of comic creators to follow. That is not just an inspiration to the creators of today but a challenge to be equally resourceful and willing to overcome the obstacles of the current market.

Jerry Robinson’s legacy is one of creative diligence. Robinson’s lifelong fight for creators rights demands that we be better educated about the legal matters that protect the ownership of our own creations. More than ever we have the ability to be the stewards of our intellectual property and profit from our works fairly thanks to standard-bearers like Jerry Robinson who waved the flag of righteousness for creators past, present and future.

With the new year upon us and the comics market possibly poised for tumultuous change, move forward with a keen eye to the past so the lessons learned from great masters of the medium like Jerry Robinson, Joe Simon and so many others from that great generation of the Golden Age of Comics are not forgotten but are used as a source of empowerment for a better, more creatively exciting and profitable comics industry of tomorrow.

Making Comics Because I Want To

Gerry Giovinco



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