Posts Tagged ‘Heavy Metal’

CO2 Comics Features Short Stories by John Workman

Tuesday, April 23rd, 2013

John Workman could not have a more suitable surname when it comes to making comics. He has done it all and for almost everybody. One healthy read of John’s Wikipedia bio and it is clear that his influence on comics is vast. Clearly he is an unsung hero of the comics industry, in part, because much of what he has done has been behind the scenes as an Art Director or in the production room.

Make no mistake about it, Workman is a Jack of all Trades when it comes to making comics. He has worn so many hats in his long career that it is hard to tag him with any single title. Writer, Penciler, Inker, Letterer, Colorist, Designer, Art Director, and Publisher are all roles that he has claimed professionally since he began in comics, working on fanzines as early as 1967.

Since then, John has left his indelible imprint throughout the industry, having worked for Archie Comics, Star*Reach, DC Comics, Heavy Metal, First Comics, Marvel Comics, Topps Comics, Image Comics, National Lampoon, Playboy Hamilton Publishing, Two Morrows, and Dark Horse. Unbelievably the list does not stop there and happily continues as CO2 Comics announces the presentation of two short stories by John Workman, “The Gold Mask” and “Revenge.”

The Gold Mask is a concept that had been percolating in Workman’s mind for years before realizing itself as an overview of much of his career’s work serving as an introduction to readers unfamiliar with his creative impact on Star*Reach and Heavy Metal.

John hopes the that the story would  be a sort of “visual encouragement” to those comic creators who are walking the same road that he had travelled in creating comics material and presenting it to the public.

Revenge,” also a brief study in the power the comics medium, has an interesting back story:

According to John, “the work began as one of the “June 2050″ stories in Heavy Metal. Dick Giordano had missed his deadline on the story that he and Jack Harris were doing, so… knowing that we needed to fill that page… I went home and wrote, pencilled, lettered, and inked this story and brought it in to the HM offices the next day. John Lennon had just been killed, and I used this as an opportunity to say something about his death. It was also a way of telling a somewhat complicated story by way of the comics form, a story that would be different if done in any other medium.”

comics_interview_vol_2Bill Cucinotta and Gerry Giovinco, publishers at CO2 Comics could not be happier than to have the opportunity to present these two short pieces by John Workman. John’s early work at Star*Reach and Heavy Metal were significant influences,  inspiring them to maintain a broader vision regarding quality, variety of subject matter and creators rights when they began publishing as Comico in the early 1980′s. That  vision that continues today with their new venture CO2 Comics that features serialized web comics, publishes, in book form, graphic novels and an eleven volume set of David Anthony Kraft’s COMICS INTERVIEW the Complete Collection.

An interview with John Workman appears in the first volume of the COMICS INTERVIEW collection and highlights John’s pet peeve regarding the number of people involved in creating a page of comics. Workman prefers to do it all himself but he is ready to jump in a moments notice to take on any creative responsibility with the utmost ability.

It is that sensibility that proves, though may take many to create great comics, there is only one John Workman and now you can read his great short stories at CO2 Comics.

Making Comics Because We Want to,

Gerry Giovinco


Heavy Metal, Ninja Turtles and The Tales of ISHMAR

Tuesday, October 9th, 2012

The American comics scene was turned on its head in April of 1977 when a glossy full-color comics magazine called Heavy Metal hit the stands featuring European comic art from Enki Bilal, Philippe Caza, Guido Crepax, Philippe Druillet, Jean-Claude Forest, Jean Giraud (aka Moebius) and Milo Manara.

Heavy Metal’s content, which was initially translated stories that had been previously published in the French magazine Métal Hurlant, focused on a more adult presentation of fantasy/science fiction and erotica that liberated American comic readers whose exposure to comics was generally limited to publications that were heavily censored by the Comics Code Authority.

By 1979 under the guidance of Ted White and John Workman, Heavy Metal began including more work by American artists including Arthur Suydam, Dan Steffan, Howard Cruse and Bernie Wrightson.

Read ATTILA THE FROG here

The July 1979 issue featured a five page strip that would be the first professional work  ever published by current CO2 Comics contributor Don Lomax. His story, Attila the Frog, edited by long time Heavy Metal editor Julie Simmons was a black and white action extravaganza that would be Don’s first and last piece ever published by the magazine but launched a comic career that now spans over three decades.

Don Lomax’s absence from Heavy Metal is not for lack of trying. Don has submitted several great stories to HM over the years that have met with rejection and never found a home anywhere else until now.

Having reached the conclusion of Captain Obese, CO2 Comics is proud to announce that we will continue to be presenting an anthology of works by Don Lomax! That’s right, Don’s new feature, Tales 0f ISHMAR is none other than The Tales of Incredible Stories Heavy Metal Actually Rejected!

This amazing collection of short stories will be serialized a page a week every Tuesday filling the tremendous void left by Don’s oversized hero Captain Obese. To kick off the series in spectacular fashion, however, we are presenting the story that started it all for Don. The story that actually did see print in Heavy Metal, Attila the Frog can be seen right here on CO2 Comics!

Now call me a conspiracy theorist or just plain crazy but as I looked back on Don’s first story it became apparent that those illustrious five pages may have had greater cultural impact than one could imagine because as I googled for images of Attila the Frog , I discovered a character by the same name that first appeared in a 1987 television episode of Teenage Mutant Ninja Turtles!

What are the odds that Kevin Eastman and Peter Laird who would have been 17 and 25 when Attila the Frog was first published in Heavy Metal might have been influenced by a horde of sword wielding amphibians led by Attila the Frog when they created TMNT five years later in 1984.

What are the odds that a character by the exact name, Attila the Frog, shows up in the TMNT animated series three years later. Probably just a coincidence until you consider that Kevin Eastman would ultimately, in 1992, purchase Heavy Metal Magazine, which he cites as having introduced him to Richard Corben, “his second greatest influence” as a comic artist after Jack Kirby.

Maybe Don Lomax’s well armed, barbarian frog just faded into obscurity or maybe it actually plunged deep into the collective consciousness and influenced a cultural phenomenon. I like to think that as artists we all have the power to influence others with our ideas and our creations. The impact may not always be as obvious or as coincidental as what I just outlined, but that is the true value of our work. The impact it has on society.

We know that Don’s work has sure had an impact on CO2 Comics and we are glad to be able to present it to our readers. Please enjoy Don Lomax’s Attila the Frog and Tales ISHMAR. Soak in each short story and imagine what Heavy Metal missed out on. If you haven’t had a chance to read The Heavy Adventures of Captain Obese now is your chance to read it online or purchase your very own copy of the hardback or paperback edition of the graphic novel.

Making Comics Because We Want to,

Gerry Giovinco

Bigger is Better!

Tuesday, July 31st, 2012

Anyone who has been following The Heavy Adventures of Captain Obese by Don Lomax as it progresses weekly here at CO2 Comics knows that BIGGER is better!

Don’s morbidly obese super hero packs a BIG punch when he is wearing that Ring of Rings and is hell-bent on protecting his lovely, elfin sweetie, Oshna! The fact that he is fat just means that the rotund hero has more weight to throw around. Bad guys beware!

The adventure is BIG too! Captain Obese dukes it out with common thugs, the police, Neo-Nazis, the Vigog Dragon, hordes of Swamp-Nads, Mud-Hole Maggot Suckers, a New Jersey biker gang and, worst of all, Oshna’s  daddy!

DON LOMAX, photo credit The Register-Mail, Nick Adams, Associated Press

Captain Obese creator Don Lomax is a BIG talent in comics and has enjoyed a career that has lasted over thirty years. Don, whose first professional comic work was Atilla the Frog for Heavy Metal in 1979 has been a journeyman as a comic creator with work appearing in a long list of publications for such publishers as Pacific, First, Fantagraphics, Warp Graphics, Apple Comics, Dark Horse, Marvel, DC and Transfuzion Publishing. Don has also done an enormous amount of comics for adult magazines, as well as strips for specialized markets about truckers, cars, law enforcement, and model railroading!

Check out Vietnam Journal

Don once told me he just has a BIG need to make comics. Ever since he was a young boy reading EC Comics in bed at night, thrilling his desire to be frightened, he knew he wanted to create comics. Don says that he has to draw comics, it is just his nature. He managed to sketch his way through his tour of duty in Vietnam back in the late sixties and it was those images that he brought back that ultimately led to his most celebrated work, Harvey Award nominated Vietnam Journal.

We couldn’t be happier working with a creator like Don Lomax who has comics just running through his veins. That’s why The Heavy Adventures of Captain Obese fit into our BIG publishing plans so well.

Captain Obese NOW AVAILABLE!

When it came time to produce our first CO2 Comics graphic albums, there was no doubt that  The Heavy Adventures of Captain Obese by Don Lomax would be part of our BIG release that included Heaven and the Dead City by Raine Szramski and Ménage à Bughouse by Steve Lafler.

If you are one of the lucky ones that have already purchased any one or more of these graphic spectacles you can attest to the BIG decisions that we made as publishers. Take note that we refer to the products as graphic albums rather than the, now, popularly accepted term of graphic novel. This is in part homage to the late great comic creator and illustrator Jean Giraud better known as Moebius who played a major role in ushering beautifully packaged, perfect bound comics from Europe to America.

These books were referred to as graphic albums and had a BIG impact on us regarding the potential of publishing comics. The paper was better, the color was more brilliant and the art was BIGGER. Compared to traditional comic book size of 6.625″  x 10 .25″  the  8.5″ x 11″  format  somehow seemed to be more respectful of the art, allowing it to breathe, giving the reader an opportunity to enjoy it more.

Comico Graphic Novels

We chose this size when we produced our graphic novels as publishers of  COMICO the Comic Company as well. GINGER FOX by Mike Baron and Mitch O’Connell,  GRENDEL, DEVIL BY THE DEED by Matt Wagner and Rich Rankin, NIGHT AND THE ENEMY by Harlan Ellison and Ken SteacyRIO by the legendary Doug Wildey and ROBOTECH by Mike Baron, Neil Vokes and Ken Steacy, all had the benefit of this BIGGER format.

CO2 Comics Graphic Albums NOW AVAILABLE!

The term graphic album seems to fit our CO2 Comics publications better as they are each collections of the works. In the case of Heaven and the Dead City it is a newly developed work by Raine Szramski that unfolds weekly unveiling each new chapter over a period of time. Ménage à Bughouse is a collection of three previously published graphic novels by Steve Lafler that is also experiencing a weekly posting of its content on our collective site.  The Heavy Adventures of Captain Obese by Don Lomax is a collection as well of chapters that were previously published as back-ups by Warp Graphics in the 1980′s and is also experiencing weekly serialization on the web here at CO2 Comics.

Now that we are all in agreement that BIGGER is better it is a good time to point out that this is only the beginning. We have just published our first graphic albums under the CO2 Comics imprint and have BIG plans for more in the future. CO2 Comics has planted a seed that we expect to grow into something big that all comic fans will enjoy.

Celebrating Thirty Years of Comics History!

Gerry Giovinco


The Gutter: He’s No Harry Potter!

Tuesday, December 14th, 2010

Long before Harry Potter and the rest of the sorcerers of Hogwarts had cast their spell upon the muggles of the world another magnificently talented wizard reigned supreme.

This unparalleled mage conjured forth comic art that had the ability to transcend the fantasies of the reader’s imagination and their physical desires.

From his pen flowed more than ink for as the glistening fluid drawn from the black marrow of of his inner demons dried upon the bristol parchment, words and pictures formed that brought life to fantastic, sword-wielding, warrior women that were unmatched by none.

The wizard? Frank Thorne, of course!

Frank began his fabled comics career in 1948 creating comics for nearly every genre imaginable including romance, horror, war stories, adventure, fantasy and erotica.

Some of his early work was on such notable titles as Perry Mason, Flash Gordon, Jungle Jim and The Green Hornet.

Jungle Jim

In 1976 Frank met his muse in the form of the scarlet tressed she-devil with a sword, Red Sonja and his career would forever be redefined.

Click to see more of Frank Thornes Red Sonja covers

Frank’s vision of Red Sonja for Marvel was so tangible that it leapt from the pages of the comics onto the stages of comic book conventions where Frank, as Thenef the Wizard, choreographed a small army of Sonja avatars personified by the likes of Wendy Pini, Wendi Snow, Angelique Trouvere, Linda Behrle, and Dianne Dekelb.

Frank’s inspirations of the flesh lead to his creation of of other fantasy female characters such as Moonshine McJuggs for Playboy, Ghita of Alizarr for Fantagraphics Books, Lann for Heavy Metal and Danger Rangerette for National Lampoon and High Times.

Danger Rangerette, Lann And Ghita

In 1989 Comico published Frank Thorne’s Ribit! a comic that Frank confesses, “was born from the tailings of Moonshine McJugs, my Playboy comic, and the film treatment for the Ghita of Alizarr movie.”

The Ribit character is unique among all of Frank’s creations. She is smaller, leaner, meaner, and greener than any of his bikini-clad, hell-raising women and she is sure to slice her way into your heart.

Ribit! 1

But what makes her more special than any of Frank’s offerings is that you can find Ribit! updated weekly, right here at CO2 Comics the new internet home of the great wizard, himself, Frank Thorne!

The Comic Company: Origins of a Graphic Novel

Tuesday, November 30th, 2010


Will Eisner’s CONTRACT WITH GOD
, published in 1978 is most often noted as the first graphic novel mostly because it was the first to declare the name.

The term graphic novel has come to be associated with any collection of comic works that is perfect bound though many would be more aptly distinguished simply as trade paperbacks.

Eisner’s graphic novel itself was actually a collection of four stories rather than one long story generally associated with the word novel.

The first “graphic novel” that I remember reading was Archie Goodwin and Walt Simonson’s adaption of the movie ALIEN published by Heavy Metal in 1979. Titled ALIEN: The Illustrated Story this 64 page, full-color, perfect bound package was a riveting masterpiece of comic art that sold for only $3.95!

I am always surprised that this book is overlooked when the topic of graphic novels is discussed. For me personally, it was a benchmark. I had read trade paperback collections of comics from pocket sized collections of Charles Schultz’s PEANUTS, to Burne Hogarth’s TARZAN of the APES and all of Stan Lee’s Origin books but the ALIEN book, more than any other, spoke to me about format.

It was my first look at what the future of comics could be.

When we began publishing comics as Comico in 1982 we started from the ground up with black-and-white comic books that looked more like fanzines and quickly grew to publish a line of full-color comics that rivaled anything in the market at the time.

Along the way we published a number of graphic novels, two featuring Matt Wagner’s GRENDEL, Harmony Gold’s ROBOTECH, Doug Wildey’s RIO, Mike Baron and Mitch O’Connell’s The World of GINGER FOX, and Harlan Ellison and Ken Steacy’s NIGHT and the ENEMY.

Comico Graphic Novels

Before them all was an unusual graphic novel collection called MAGEBOOK. What made this book unique was that it was NOT a reprint of the first four issues of Matt Wagner’s critically acclaimed comic MAGE.

In 1984 it was apparent that there was a new trend in comics. The miniseries was becoming popular with titles like CAMELOT 3000 and WATCHMEN. It was inevitable that these would be collected and re-published as graphic novels after the initial run.

Matt had informed us early on that MAGE, likewise, would be a limited series. The idea of collecting it in graphic novel format as well became a goal.

Then we were presented with a production issue. In an effort to minimize unit costs, our comics were being gang-printed and though MAGE was a critical success it sold in smaller numbers than most of our other books, resulting in an overstock of the title to be stored.

There, warehoused on a skid, was the opening chapter of what would become our first published graphic novel.

After the first issue we began not binding the interiors of the books, storing the excess signatures for future use. After four issues of MAGE had been published we collected the signatures and the overstock of the first issue and had them neatly bound in a graphic novel format producing MAGEBOOK for merely the cost of the cover and the binding.

Magebook 1

MAGEBOOK was a collection of the original print-run of the first for issues; ads, letter pages and all. Due to its success, we repeated the process for the second volume which has notably larger size dimensions than the first volume because of the availability of trim area that was lost on the first volume due to the first issue of MAGE having been previously trimmed and bound as a comic book.

Magebook 2

These two volumes of MAGEBOOK were probably the only graphic novels ever produced this way! If anyone has any knowledge of others I would love to know about them.

MAGE was later licensed to Starblaze Graphics who repackaged it into a beautiful glossy three volume set that was released in paperback and deluxe, sleeved, Hard Cover editions.

Bill Cucinotta and I still like the idea of repackaging material that we enjoy.

co2comics.com

While we are determined to seek out exciting new features by talented comic creators to post here on CO2 Comics, there are a number of features found here that are digital repackages of previously published material which we are proud to introduce to a new audience on the internet.

David Anthony Kraft's COMICS INTERVIEW: The Complete Collection Vol 1

We have also made it our mission to repackage a very important part of comics history. David Anthony Kraft’s COMICS INTERVIEW: The Complete Collection will be a eleven volume set and is, without doubt, “The Greatest Collection of Interviews in the History of Comic Books.”

The first volume available in Hard Cover and Paperback is ON SALE NOW and can be found at www.comicsinterview.com.

Hurry and get your copy in time for Christmas!

Making comics because I want to

Gerry Giovinco


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