Posts Tagged ‘comico’

Comico/Robotech Crew to Reunite at Camden Comic Con This Weekend

Tuesday, March 3rd, 2015

The second annual Camden Comic Con will be held this Saturday, March 7, 2015 at the Rutgers Camden Athetics and Fitness Center! If you need directions you can find them here.

This is a FREE convention that you can’t miss especially if you live in the Greater Philadelphia, Tri-State, Delaware Valley area.

In a previous post I listed ten reasons we’re excited about Camden Comic Con 2015. We think they are all great reasons for everyone that enjoys comics to want to come to this show but our favorite reason is number 5.

Andrew C. Murphy, Mike Leeke, Chris Kalnick, Neil Vokes, Rich Rankin, John Workman

“We will be reuniting with long time friends and collaborators! Joining us on the panel is a group of creators that have worked with us at Comico and CO2 Comics including Andrew C. Murphy, and former ROBOTECH crew: Mike Leeke, Chris Kalnick, Neil Vokes and Rich Rankin. Don’t be surprised to also find John Workman and a few other folks that are tentatively planning to be there.”

Comico Mage, Grendel, Elemental, Justice Machine, Ribit, Jonny Quest, Space Ghost, Gumby, Star Blazers, Robotech

Those of you that remember the glory days of Norristown, PA based, independent  publisher, Comico The Comic Company, best known for great creator-owned titles like Mage, Grendel, Elementals, Justice Machine and Ribit also surely remember our  work producing comics based on licensed properties like Jonny Quest, Space Ghost, Gumby, Starblazers and a little fan favorite, ROBOTECH.

Besides making great comics we also had the opportunity to make great friendships and experiences that we will always look back on as some of our best times in life, professionally and personally.

After Comico our lives took us all in many different directions until years later when we would once again pull our talents together digitally on the site of CO2 Comics.

The wonders of the internet allow us to all share our talents but rarely do we have an opportunity to enjoy each other’s company face-to-face. Our Panel at Camden Comic Con will be an opportunity for some of us to come together for the first time in over twenty-five years.

We have  great panel planned with a nice visual trip down memory lane for all the Comico /Robotech fans and a look at what CO2 Comics has been up to in the last six years with a look into what we plan for the unpredictable future.

We hope to see as many of you as possible at the show. Please stop at our panel A Legacy of Independence: From Comico to CO2 Comics http://camdencomiccon.tumblr.com/programming from 11AM – 12:30 PM in Multipurpose Room 2 and visit us at our CO2 Comics booth for an opportunity to meet and support the the creators.

Gerry Giovinco

Ten Reasons We’re Excited About Camden Comic Con 2015

Tuesday, February 3rd, 2015

The gang here at CO2 Comics is really looking forward to the Camden Comic Con which will be held on March 7,  2015 at Rutgers Camden Athetics and Fitness Center!

We have ten big reasons to be excited!

1. For us it is a local event! Located at the Rutgers University Campus in Camden, NJ just across the bridge from Philly, the con is minutes away from our studios in Northeast  Philadelphia and Mays Landing, NJ! It is also a stone’s throw from a number of the creators that have collaborated with us over the years.

2. It’s a fun show! This is just the second go-round for the Camden Comic Con, but we had such a blast at the first one we could not wait to be part of it again!

3. We will have a booth! Come visit us and see all the great graphic novels, t-shirts and huge volumes of David Anthony Kraft’s Comics Interview: The Complete Collection we have produced and are available for sale!

4. We are doing a panel! From 11:00 am – 12:30 pm we will present a very visual slide presentation – A Legacy of Independence: From Comico to CO2 Comics.

Bill Cucinotta and I will discuss the virtues of independent publishing. We will take a retrospective look at our days as publishers of Comico during the 1980′s and talk about the first 5 years of our current exciting venture, CO2 Comics.

5. We will be reuniting with long time friends and collaborators! Joining us on the panel is a group of creators that have worked with us at Comico and CO2 Comics including Andrew C. Murphy, and former ROBOTECH crew:  Mike Leeke, Chris Kalnick, Neil Vokes and Rich Rankin. Don’t be surprised to also find John Workman and a few other folks that are tentatively planning to be there.

Andrew C. Murphy, Mike Leeke, Chris Kalnick, Neil Vokes, Rich Rankin, John Workman

6. We get to meet you! Camden Comic Con is FREE and open to the general public! Family friendly and on a university campus with lots of young people this con offers the opportunity for everyone to be comfortable and explore the wonderful world of comics. If you have never been to a comic convention before, this one’s for you!

7. Great Hosts! Bill Haas, Miranda Powell and their staff go out of the way to be accommodating to make sure everyone has a great time. It is a wonderful experience to attend a con where attendees, guests and vendors are all appreciated!

8. It’s a quickie! 10:00 am – 4:00 pm is short and sweet but leaves you begging for more. Don’t expect to find yourself bored! Lots of panels, vendors, guests and activities in a wonderful environment will have you scrambling to take it all in before the doors close so get there bright-and-early and be sure to stop by our booth and drop in on our panel.

9. Like the good ol’ days! You may hear a lot of comic veterans and long-time-fans pining over the pleasant simplicity of how cons “used to be.” Too many are too commercial, too crowded and too much about everything but comics. Not this little convention that gets most of it just right

10. You won’t be disappointed! I am so willing to guarantee a good time that if you don’t, you can read  FREE comics every day right here at CO2 Comics!

(Hey, that’s way more value than Stan Lee’s coveted No Prize!)

Gerry Giovinco

See you at the convention!

Looking Forward to 2015: Happy New Year!

Tuesday, December 30th, 2014

The two comic related stories that impressed me the most this past year were the Kirby v. Marvel settlement and Rocket Raccoon co-creator, Bill Mantlo’s generous treatment by Marvel in response to the  Guardians of the Galaxy film.

I found these moments to be significant because they were the culmination of decades of struggle by the men, their families, and a legion supporters of Creators Rights in the Comics Industry.

Thirty years ago, the idea of Jack Kirby or his family being compensated appropriately for the Marvel characters he created or co-created was an idealistic fantasy that most people believed could never be fulfilled.

Twenty-two years ago, when prolific Marvel writer Bill Mantlo suffered a traumatic head injury in a tragic accident, there was little hope that any potential success gleaned from characters or stories that he created while working in comics would benefit his long term care.

In 2014, after years of monumental success of comic book properties in film, the ice began to thaw on the relationship between creators and comic book companies. Deals began to happen behind closed doors to satisfy creators who challenged ownership of properties that had long been held tightly under the premise of “Work for Hire.”

Though everything regarding Creator’s Rights in comics may still not be perfect, strides have been made.

For me, little was much more pleasing than watching a proud and content Neal Kirby participate in a Marvel 75th Anniversary Celebration or seeing pictures of a beaming Bill Mantlo watching a private screening of Guardians of the Galaxy from his bed in a long term care facility, all set up by Marvel executives.

Knowing that deals have finally been made to secure the Kirby family well into the future and that Bill Mantlo will be the recipient of royalties that could be used to support his tremendous healthcare needs proves what many of us in the comics industry believed, that creators could and should be beneficiaries of the success of their creations.

It also proved that if you believe in something strong enough, work at it hard enough, and have enough support from the people around you, you should never give up. There is hope for the future.

While working on the fourth volume of David Anthony Kraft’s COMICS INTERVIEW: The Complete Collection,  I had the opportunity to re-read an interview with me and Art Director, Geraldine Pecht while at Comico in 1987. It was a look back at my own hopes and dreams nearly three decades past in comparison to the reality that transpired.

It was true affirmation that we have no idea what the future holds but that some dreams never die. It was a flashback that rekindled a youthful enthusiasm that I can only hope to maintain throughout 2015 and beyond.

I had big plans for Comico in 1987. Plans that, for me, ended abruptly that same year. Like the Kirby family and Bill Mantlo, though, I have never given up and neither has by former Comico partner, Bill Cucinotta who had his Comico career cut short prior to mine.

Now we both have big plans for CO2 Comics but with the benefit of many hard lessons learned.

Comico Black Book cover

When I sat for that interview, Comico was at it’s peak and ready to celebrate its five year anniversary with a little product called Comico Black Book. Little did we know, the company was was poised to crash and burn.

I comparison, halfway through our fifth year, CO2 Comics is still building a solid foundation and growing.   Though we may not have had the meteoric successes that we had with Comico and have seen our share of setbacks, Bill and I are content that  we work with people we trust and have mutual respect for. We have more control over our product and integrity and we produce comics and product in a way that does not put us in jeopardy of the production expenses the distribution system or the competition that existed in the 1980′s.

The future is bright and hopeful for CO2 Comics because we have held on to a dream that we are unwilling to give up. Yes, we are looking forward to 2015 and many years after that!

Thanks to all the wonderful people that continue to believe in us and support us. We could not have come this far without you!

We wish you all a very happy, healthy and prosperous New Year as we look forward to 2015!

Gerry Giovinco



Comic Book Entropy: Marvel and DC

Tuesday, November 18th, 2014

When it comes to order and disorder regarding comic books one needs to look no further than the Big Two, Marvel and DC, for examples of each in regards to their corporate direction.

This past week Marvel celebrated their 75th anniversary with a televised special/infomercial titled Marvel: 75 Years, From Pulp to Pop! The show managed to  cram their long history into just 44 succinct minutes in a way that only Marvel can because they have admittedly and willfully refined their direction to the fundamental creative basics established by Stan Lee, Jack Kirby and Steve Ditko.

Marvel recognizes that their success is built on the creative geniuses of these three men and the culture of the Marvel Bullpen that has managed to maintain a continuity that has reverently adhered to the principle foundations of the characters they created.

The new found harmony that exists since the settlement between Marvel and the Kirby Estate, as exhibited by the inclusion of a proud Neal Kirby speaking on his late father’s behalf in the special, reinforced Marvel’s dedication to the tradition of the source material.

Marvel does not stray far from the source material. They embrace it because they know it is based on good storytelling that has stood the test of time. The result is the global phenomenon known as the Marvel Cinematic Universe. It is a bountiful collection of heroic adventures dictated by simple order managed by a decree to not fix what is not broke.

Flip the coin and disorder rears its head as DC Comics once again applies a bandaid to the hemorrhage that is the complicated multiverse known as the DCU. The cure of the moment is called Convergence and it is a two-month-long event focused around the concept that Brainiac will gather the bottled up realities of the infinite earths in the DCU and bring all the variants of all the characters together in one place and let them mix it up like some tormented game of “shake n’ bake.”

While these fifty comics are being published the rest of the already established line will go on a two-month hiatus while the corporate offices move west. Fans get to wait it all out and hope they are satisfied with what promises to be yet another thread of convoluted reality attempting to make sense of what has been convoluted for decades.

DC has long lost any attachment to the foundations of any of their characters let alone any respect for the values or intentions of the creators of their iconic properties. Any opportunity that DC has to exploit their characters in another medium is just a chance to twist in another reality option. TV Flash is already rumored to be from a different reality than film Flash and so the spiral continues.

Through it all fans, are expected to sit back and wait for the shoes to fall then jump back on the bandwagon like nothing ever happened. But fans don’t like to be thrown from the bus. Major League Baseball learned this the hard way when they canceled a season due to strike and it took years to regain the trust of the fans. Why should comics be different?

Nostalgia is a large part of what we all love about our comics and our heroes. Marvel has found a way to introduce new generations to characters that are tried and true while DC continually attempts to recreate their characters to appeal to what they believe are the tastes of a new generation. The end result is that today’s Superman is not your parents’ Superman but today’s Captain America still resonates with the patriotism of your grandparents.

Entropy is, of course, all about the balance of order and disorder in relationship to chaos which is the driving force behind true creativity. Chaos is a beautifully amazing thing which can be easily witnessed in comic books just by looking at a rack of independent comics that source their creativity from every direction and, in fact, continue influence the entropy of the Big Two.

In the Marvel special,  a quick pan of a 1980′s era comic book rack began with a flash of X-Men comics before culminating into a display of independent comics featuring titles like GRENDEL, ELEMENTALS, JUSTICE MACHINE, FISH POLICE and TROLL LORDS, all titles that, at one point, were published under the COMICO imprint, a company co-founded by CO2 COMICS’ own founders, Bill Cucinotta and myself.

It is nice to know that, somehow, our work has impacted the bigger picture of comic books that the world too often recognizes only as Marvel and DC. It is great to be part of the chaos. In the end, it’s all simply about making comics because we want to.

Gerry Giovinco



In the Shadow of Comico’s Sins

Tuesday, July 22nd, 2014

Rich Johnston over at Bleeding Cool raised a few eyebrows recently with the post The Return Of Comico? But What Of The Elementals?

In the post he very briefly describes the demise of Comico before unveiling his discovery of a recent trademark application filed by Steven Rev. Rich happily divulges address information and even describes the location as having convenient parking, thus instigating the ires of the many folk that have beefs with Comico owner Andrew Rev who has become both notorious and mysterious since Comico last published.

Curiously, Johnston questions the future of one of Comico’s most legendary titles, The Elementals, which had been purchased by Rev from Bill Willingham back in the 1990′s. If Johnston would have dug just a little deeper he would have found that the same trademark search engine that revealed a potential revival of Comico also discloses that the trademark for The Elementals is currently held by DYNAMITE.

That revelation would have surely stirred up some excitement!

Of course all of that is here or there speculation.  One line in the post, however personally struck a nerve for two glaring inaccuracies.

“…there has been an attempt by the original founders to publish comcics[sic] as CO2 Comics…”

The Original Founders:

Top: Dennis LaSorta, Phil Lasorda, Bottom: Gerry Giovinco, Bill Cucinotta

Bill Cucinotta and I are only two of “the original founders” of Comico.  Though we both feel very responsible for the initial direction of that company and many of the positive and innovative approaches that defined it in its heyday, we were both often at odds with the other partners and ensuing management team. The working environment at Comico was often emotionally, verbally and physically hostile. Our disputes within the partnership resulted in both of our departures as active members of the partnership at separate times years prior to the bankruptcy and sale to Rev.

Though we are prone to celebrate the accomplishments of Comico, and there is a lot that we are very proud of, there is a pall of resentment toward what we endured within that extended partnership that continues to haunt us.

We made a conscious effort to define our current partnership by naming our publishing venture CO2 Comics to specify that the vision of this approach belongs to the two of us working in cooperation with the creators that support our vision. We cannot deny our roles as former Comico publishers but, as we have repeatedly stated, CO2 Comics is NOT Comico and never intends to be.

CO2 Comics current catalog

An Attempt to  Publish:

We feel that we have accomplished a lot in the last five years since we launched CO2 Comics originally as a web comic collective on the internet in 2009 We have published both on the web and in print several thousand pages of comics and comic related content.  A brief rundown of those accomplishments as well as upcoming projects was highlighted on our blog to commemorate our fifth anniversary.

I think we have well exceeded what could be considered an “attempt” at publishing comics!

A few weeks ago Chuck Dixon and Paul Rivoche, in an effort to promote their new book, a graphic adaptation of Amity Shlaes’ THE FORGOTTEN MAN, suggested that they were the subjects of a black list crafted by liberals in the industry against conservative creators.

The idea of a black list might seem ludicrous to some but when our efforts to publish great comics by  a laundry list of incredible creators can be so easily dismissed by observers of the industry we have to ask ourselves if we are not being subjugated by attitudes shaped by what Comico had become toward the end; a Comico that was far from our control and well beyond what we had ever intended it to be.

We couldn’t even get a link in this post that mentions us.

There may or may not be a defined black list in comics, but Bill and I often feel like two black sheep when our current efforts and accomplishments are overlooked. We can only wonder if we are maligned by the dark shadow cast by the sins of what Comico became after we left.

Fortunately we have surrounded ourselves by great talent, many of whom witnessed first-hand what we accomplished and experienced back-in-the-day. They appreciate our integrity and commitment to them personally and to the medium of comics. We can not thank them enough for their continued faith in us!

CO2 Comics is already much more than Comico became. It is a labor of love from which great comics will continue to flow, not a trial of deception, hostility, resentment and fiscal irresponsibility that crushed the dreams of many.

Bill and I have the same vision we ever had: to publish creator owned comics and to establish wonderful, trustworthy, and mutually profitable relationships with creators  in that process.

We wish any new Comico all the luck in the world. They are gonna need it. We just ask, please,  don’t let the sins of Comico past damn the future of CO2 Comics.

Making Comics Because We Want to,

Gerry Giovinco



Independence Day 2014

Tuesday, July 1st, 2014

Independent Comics Day is upon us and this year, as usual, Bill Cucinotta and I celebrate our Independence as comic publishers on the anniversary of our  July 4, 2009 launch of CO2 Comics!

It is hard to believe that it has been five years since we began posting comics on the web and a lot has happened in that brief time!  We have since posted thousands of pages of comics created by dozens of creators. Those serialized comics and our weekly blog, together, have generated  22.5 million hits!

Beyond the web, we have published, in print,  two massive volumes of David Anthony Kraft’s COMICS INTERVIEW: The Complete Collection and six graphic albums that we are very proud of:

Steve Lafler’s Ménage à Bughouse, a single volume collection of the Bughouse trilogy and Doggie Style: The Complete Dog Boy.

Don Lomax’s The Heavy Adventures of Captain Obese,

Raine Szramski’s Heaven and the Dead City,

Chris Kalnick’s NON and

John Workman’s The Adventures of ROMA!

Collectively, between digital content on the web and books in print, CO2 Comics has already generated about six thousand pages of content for our readers’ enjoyment, yet we remain one of the Comics Industry’s best kept secrets!

This is fine by us because we know that true independence is earned by commitment, patience, hard work, perseverance and a belief in what we stand for. We know that there is value in flying under the radar, waiting for the moment when opportunity arrises.

Until then we continue to grow in strength and numbers, allying with creators that also appreciate the value of Independent Comics publishing to expand our content offerings!

This Independent Comics Day we are thrilled to announce six new projects that are in the works with impending release dates!

David Anthony Kraft’s COMICS INTERVIEW: The Complete Collection Volume 3 is nearing completion as we continue the fulfillment of the monumental 11 volume set!

Our relationship with DAK which has extended over thirty years and continues to grow as we now take on the formidable task of collecting two popular series formerly published under the COMICS INTERVIEW imprint.

The 36 issue run of SOUTHERN KNIGHTS is intended to be collected in a giant two volume set with well over a thousand pages of adventures of the “greatest superhero team in the South!”

The Complete  X-THIEVES, more accurately known as the Aristocratic Xtraterrestrial Time Traveling Thieves, will collect over 300 pages of the group’s intergalactic hijinks! Way too much fun to be packed between two covers!

Working closely with DAK and creators, Henry Vogel, David Willis and Mark Propst both of these features will finally be collected in handsomely condensed omnibus formats that will represent an an incredible library brought together by the joint efforts of the  CO2 Comics and COMICS INTERVIEW families!

Not all of our product, however,  will be massive collections that will buckle a bookshelf!

Raine Szramski’s HEAVEN AND THE DEAD CITY which continues its weekly serialization on our site is rolling into a a second volume for print! This beautifully painted work is a testament to Raines’ talent and long history in the medium.

Long time friends and free lance comic talents Bill Anderson and Rick McCollum have teamed with us to package their feature, SCREAMING MASKS! We cut our teeth in the indy comic market  with these journeymen creators and are excited to publish them, together on one of their own unique projects.

Finally,  my SLAUGHTERMAN title will  be collected in a single book after all these years. This seminal title which was significant in the launching of both Comico and CO2 Comics is due an archival packaging.

Yup! We have a lot on our plate and a lot for our readers to look forward to!

Please stay tuned for notifications of release dates and extended product descriptions as each product is rolled out in the coming weeks and months! We plan to charge into the next five years of CO2 Comics as dedicated to independent publishing and the creative rights of comic creators as we have ever been and we cannot wait to see what the future holds!

Happy Independent Comics Day!

Making Comics Because We Want to,

Gerry Giovinco



Dixon and Rivoche: Critical of the Right

Tuesday, June 17th, 2014

Give Chuck Dixon and Paul Rivoche a lot of credit. They certainly stepped outside the box in an effort to promote their new book, a graphic adaptation of Amity Shlaes’ THE FORGOTTEN MAN, by attacking  comic industry liberals in their Wall Street Journal OP-ED piece, How Liberalism Became Kryptonite for Superman.”

They managed to generate a lot of interest  and even had the opportunity to tout their book, published by Harper Perennial, on FOX NEWS!

Thank God that most of the hardcore conservatives that pay attention to these narrow-minded resources couldn’t care a rat’s ass about comics or they would have seen through the thin veil of deception that is so brilliantly dissected  by Janelle Asseline in her Comics Alliance piece, “Superhuman Error: What Conservatives Chuck Dixon & Paul Rivoche Get Wrong About Politics In American Comics.”

In their effort to be Uber Americans by defending the Political Right, Dixon and Rivoche tread on one of the most valued American liberties that comic creators have fought decades for, the right to freedom of speech and expression which is protected by the First Amendment.

Their endorsement of the Comics Code Authority, which was a direct product of McCarthy era conservatism and possibly the most strict code of censorship of any American medium, flies in the face of anyone who truly loves and values the most basic and fundamental principles of freedom set forth by the founders of this country.

It was particularly odd that both gentlemen conveniently ignored the comics history of the 1980′s where creators rebelled against the big publishers of superhero comics  and defined the potential of the Direct Market by working with Independent publishers that defied the rules of the Comics Code Authority.

Both Dixon and Rivoche saw their first works published by Independent publishers in 1984. (not the 1970′s as stated.)  Chuck Dixon’s EVANGELINE which, originally published by Comico, told a tale about a nun with a gun that was an assassin for the Vatican.Canadian Paul Rivoche illustrated Mister X published by Toronto based Vortex. His story was about a mad scientist that induced his own perpetual sleeplessness with a fictitious drug. These were not comics that any of the Code publishers would consider touching at the time!

It is ironic that these pioneers of “moral ambiguity” in comics should be so vocally opposed to its current existence in the medium!

The success and proliferation of similar independent projects eventually led to Marvel and DC’s softening and ultimate departure from the Code. This was  an orchestrated effort to compete with and eradicate Independent comics publishers  who had gained substantial  market strength.

The market dictated the newfound liberal mores with which comics were created! If audiences did not clamor for these new “left-minded” ideas we would all be reading comics with the seal of approval on it today. Worse, comic books would most likely have faced an inevitable extinction.

The comics of the 90′s that the two chose to credit with the moral departure were created by a  wave of young talent that cut their teeth reading comics and being inspired by the likes of Dixon and Rivoche. These upstarts recognized that it was time for a jailbreak and sought to distinguish themselves as the New World Order in comics.

Dixon and Rivoche are among many creators moderately associated with the old guard, despite their groundbreaking achievements, to be trampled by the inmates intent on running the asylum, finally free of the restraints of oppressive censorship (a page torn right from Dixon’s own Batman stories.)

Jerry Ordway has similar gripes but does not blame left leaning politics in his plea for work, Life After Fifty.
For many, like Ordway, it is rather an overwhelming lack of respect and appreciation for the contributions of creators that in the past would have been revered industry-wide.

Fortunately the Independent movement (not just of the 80′s and 90′s but that of the 70′s  Underground Movement, the Web Comic  Movement of the 00′s and the current Digital Movement) has solidified the rights that creators have to express themselves freely through the medium of comics. There is a now place  and an opportunity for any kind of comic regardless of “right” or “left” leaning politics. This is good for everyone, especially those with idealistic American values.

Without this new, expanding market for comics there would be no publisher that would have been interested in THE FORGOTTEN MAN, a comic not about superheroes and not targeted specifically at children. That would be a real shame.

Dixon and Rivoche should have remembered their true roots and celebrated their masterful execution of their own creative rights rather than endorse a close-minded, faux conservatism that could potentially crush other creators’ rights to freedom of speech and expression in a new witch-hunt reminiscent of the one perpetrated by Dr. Fredrick Wertham that led to the development of the restrictive Comics Code Authority.

Dixon and Rivoche need to ask themselves which Right is more important; the creatively inhibitive conservative views of the Political Right or our Inalienable Right to free speech and expression that has given comics the opportunity to flourish?

Making Comics Because We Want to,

Gerry Giovinco



A true, capitalism-endorsing conservative would let the market decide.

Song of the Sketchbook

Tuesday, April 29th, 2014

Bill Anderson has been delighting us all with his Facebook posts of sketchbook drawings that he acquired on a convention run with the Comico gang back in 1983. You can see his wonderful collection of sketches here.

What a flashback it was not just to see work by all the great artists that are included but to see images drawn by the Comico crew that included Matt Wagner, Reggie Byers, Will Brown, Vince Argondezzi, Phil LaSorda, Bill Cucinotta, and myself, all done over thirty years ago!

I have to say that seeing those drawings and reveling in the raw energy that exists in spontaneous sketches was quite an inspiration for me to crack out my old sketchbooks, for a personal shot of nostalgia, and to crack down and start a new one.

Anyone who has ever kept a sketchbook knows that they are visual diaries that preserve not just ideas but unfettered strokes of genius that may escape from the mind of an artist through the tip of some rendering implement be it a pencil, marker, pen or brush.

Rarely is there much sense of order in a sketchbook and that is what makes them exciting. Images jump from doodles to notes to fully rendered illustrations, randomly, revealing inner secrets of the artist’s talents that can easily be lost when applied to a more finished work.

A sketchbook reveals an artists soul. The images are the lyrics to a melody that flows from a creative hand in a staccato of strokes.

I received my first sketchbook when I was just ten years-old and I still have it. In it are drawings that are far from spectacular, most lifted from old Preston Blair cartooning books. There are, however, crude drawings of my first comic strip character, Little Sailor Boy, and my first attempts at drawing superheroes that signify a starting point in the timeline of my life in comics.

I have a modest collection of sketchbooks that I have accumulated over the years. Some are from my  days at the Philadelphia College of Art, others from my years at Comico and still more from various periods in my life.

An occasional trip through them is a reminder of projects left unfinished, ideas left unrealized, and  a nostalgic look at the gestation projects that came to fuition. Exposed are moments of creative brilliance, signs of potential untapped and a beacon begging for more.  Sketchbooks can be our own biggest cheerleaders.

I wish that I had kept more sketchbooks. To my regret, however, I was a doodler and jotted ideas and drawings on everything I could find: napkins, notebooks, bond paper and post-its. I have folders stuffed with sketches and portfolios with more but sadly, many sketches ended in the abyss of the dreaded the circular file; the trash!

Somewhere there is a garbage man curating a gallery of my work because I was not as diligent about keeping a sketchbook as I should have.

So in front of me is a brand new sketchbook with a hundred blank pages of creative possibility waiting to be addressed. It’s like a garden waiting for seeds to be planted so that new projects can grow. New comics that need to be made.

I plan to share a few of them here at CO2 Comics, but not before I encourage all you creative types out there to dive into your own sketchbook, if you haven’t already, and plant a few seeds of your own. Let  your sketchbook sing your praises and encourage you to make some great art and even greater comics. When you’re done  don’t forget to share your talents with the rest of us.

Making Comics Because We Want to,

Gerry Giovinco



Camden Comic Con a Pleasant Surprise

Tuesday, April 15th, 2014

Going to a new comic book convention is a leap of faith, whether you are a guest, vendor or an attendee.  So many things can dampen the experience. Poor organization, lousy attendance and inhospitable management have ruined many comic conventions and guaranteed that there will not be a second.

The first clue that a con is going to suck is usually the location.  Having a con that is in a town off the beaten path or in a cheesy venue is a major indication that the organizers have no idea what they are doing.

What could be the chance that a comic con held in Camden, New Jersy could be any good? Camden is, after all, too often recognized as  the poorest and most dangerous city in America with a crime rate that is five times the national average!

Sounds like the type of town where you would expect to find a lot of superheroes battling bad guys, not lining up for a cosplay competition.

Despite all odds, however, Camden Comic Con was a wonderful convention that I would heartily recommend to anyone, largely due to the attentiveness and management skills of organizers, Miranda Powell, Bill Haas, their staff and the support of Rutgers University whose campus hosted a safe, accessible and comfortable venue.

For a small, first-time convention organized in just two short months, so many things were done right that it is just amazing, beginning with and highlighted by the hospitality of the staff and Rutgers University. They found a way to make everyone feel appreciated which is, in and of itself, a rarity anywhere in today’s society. They even provided a delicious, complimentary lunch  to all vendors, dealers and guests! Who can not be happy when you are being fed?

Camden Comic con was a remarkably festive, one-day event that was unusually inviting, not just to the hardcore comic fan but to the entire community, opening its doors to anyone that was curious about comic books, free of charge!

Once you walked past the colorful balloon arch, picked up a few free comics left over from last years Free Comic Book Day and adorned yourself with a Camden Comic Con pin you  discovered the live band, Knuckle Puck Time playing in the exhibition area, face painting and crafts for the young children, and insightful panels that covered creative and social issues relating to comics.

There was an array of creators, publishers, and vendors occupying a space that was mercifully, not oversold especially considering that table fees were only $10 – 20 each!

Costumed fans of all ages wandered the floor, waiting for their chance to compete in the cosplay competition at the end of the day while they added immensely to the atmosphere that was enjoyed by the respectable number of 600 fans in attendance.

Hopefully this will be the first in a long tradition of comic conventions held in Camden. It was certainly a boost in the arm for the city, Rutgers, and the comic fans in the community!

CO2 Comics was proud to have been a part of this premiere event and we are admittedly biased about our experience because we had the opportunity to hang out with our long time friend and former ROBOTECH artist Reggie Byers, who we had not seen in years! Reggie’s comic CRESCENT has been popular feature here at CO2 Comics while he has been working on his pet project KIDZ OF THE KING.

We also had the wonderful opportunity to spend the afternoon next to Bob McLeod, long-time penciler and inker extraordinaire! Bob was a gracious as he is talented and we had a great time talking shop when not interacting with visitors to our tables.

My personal highlight was having the chance to finally meet a young fan that would regularly phone and send samples to me when I was Art Director at Comico thirty years ago. “Gus” was then a thirteen year-old with aspirations to create comics and I always considered it my responsibility to encourage him. It was very heartwarming to meet him as an adult that has maintained his interest in the medium knowing that  I personally had some influence on his continued enthusiasm.

So, If you can measure the success of a comic convention by its ability to bring people together, the Camden Comic Con was a rousing success and and extraordinarily pleasant surprise. I can’t wait for the next one! Hope to see you there!

You can see great pics from the convention on their facebook page and there are promises of more pics and updates on their tumblr site.

Making Comics Because We Want to,

Gerry Giovinco



Comico and Elementals to be Resurrected!

Tuesday, April 1st, 2014

CO2 Comics publishers, Bill Cucinotta and Gerry Giovinco, have formally announced that they have incredibly reached an exclusive agreement with Andrew Rev and will be reviving the Comico imprint for a new line of full color comics that will include the ELEMENTALS title originally created by Bill Willingham. The new line is expected to be  available for distribution in the Direct Market this coming Fall.

Cucinotta and Giovinco were among the original founding partners of Comico the Comic Company. Comico began publishing black and white comic books in 1982 with the release of Comico Primer #1, an anthology comic that featured characters created by the original publishers.

1st five Comico Covers

Comico immediately added four new black and white features, AZ by Phil LaSorda, SKROG by Bill Cucinotta, SLAUGHTERMAN by Gerry Giovinco and GRENDEL by Matt Wagner.

Comico's 1st Color Books

In an effort to grow the fledgeling company, Comico scrapped their entire black and white line to concentrate on full color, creator-owned, comic books spearheaded by   MAGE by Matt Wagner, and EVANGELINE by Chuck Dixon and Judith Hunt soon to be followed by hugely successful ELEMENTALS by Bill Willingham, all published in 1984.

Comico quickly became a contender in the independent market throughout the 1980s and  as a pioneer of licensed properties began setting new standards with tiltles like ROBOTECH, STARBLAZERS, JOHNNY QUEST, SPACE GHOST, and GUMBY.

Comico for a brief period ranked third in the industry for monthly sales with a broad line of comics and graphic novels before making the fatal decision to enter the mass market, a move that would drive the company into bankruptcy leading to an eventual sale to Andrew Rev in 1990.

Along with the acquisition of Comico, Rev also bought the exclusive rights of the ELEMENTALS from Bill Willingham and has remained the sole owner of the title and characters since.

The revival of the Comico imprint by CO2 Comics will also resurrect the Elementals in the form of a 300 page full color Elementals Omnibus that will collect the first twelve issues and primary story arc of the series, accompanied by digital release of each individual issue.

Cucinotta and Giovinco, who both left the partnership before the demise of their former company, are excited to have the opportunity to steward the Comico brand in the direction it was always intended just in time to celebrate the thirty year anniversary of the title and Comico’s publication of their first color comic books.

“This would be a dream come true,” admits Giovinco, who confesses that this is nothing more than a cruel prank that he perpetrated since April Fools Day coincided with his weekly blog post that is launched each Tuesday morning.

“It would have been a bore not to act on April Fools Day,” he states, “but  you are still welcome to enjoy all of great comics at CO2 Comics, many of which are created by former Comico collaborators like Bill Anderson, Reggie Byers, Chris Kalnick, Mike Leeke, and Bernie Mireault.”

You can also enjoy several creator owned features that were originally published by Comico such as:

GAUNTLET by Neil Vokes and Rich Rankin

RIBIT by Frank Thorne

SKROG by Bill Cucinotta

SLAUGHTERMAN, by Gerry Giovinco

THE WORLD OF GINGER FOX by Michael Baron and Mitch O’Connell

VICTOR by Andrew Murphy

Along with many other great features by talented creators.

Happy April Fools Day!

Gerry Giovinco

*Sincerest apologies to Andrew Rev, Bill Willingham, Dynamite Entertainment and any comic fan or speculator who may have experienced palpitations due to this post that was solely intended for good fun.




© 2009-2015 CO2 COMICS All Rights Reserved. All other material © their respective creators & companies