Posts Tagged ‘Bob Kane’

Happy Hanukkah to the World of Comics and Comic Books!

Tuesday, December 16th, 2014

Since today is the first day of Hanukkah this year, we at CO2 Comics would like to wish a very “Happy Hanukkah” to all of our Jewish friends and family in the great world of comics and comic books!

It is now widely accepted history that immigrated Jewish Americans are largely responsible for the development of the early comic book industry. Without trivializing the significance of Jewish publishers, printers and distributors of the 1930’s, just try to imagine a comic book industry without this very short list of comic book pioneer creators that were all Jewish:

Jerry Siegel

Joe Shuster

Jack Kirby

Joe Simon

Bob Kane

Bill Finger

Jerry Robinson

Stan Lee

Just imagine a world of comics without Superman, Batman, Captain America and the bulk of the Marvel Universe created or co-created by these eight men that stand out as brilliantly as the eight candles to be lit on a festive Hanukkah Menorah!

A more comprehensive list of Jewish cartoonists that were leaders in the industry can be found here.

The contributions of these creators of Jewish decent can not be overstated. Without any small percentage of them comics, as we know them today, would not exist.

This is the time of year when everyone tip-toes around espousing the phrase, “Happy Holidays,” essentially offending people they are trying not to by sterilizing their greetings. In the process of this dilution we lose site of the beauty, significance, and  contributions of the cultures that celebrate uniquely different holidays.

As an independent comics publisher CO2 Comics has always recognized the value of diversity in the comics medium. Our appreciation of the history of our industry strengthens the value of that diversity every day. Though we may not personally celebrate all of these holidays it is with great conviction that we recognize that we are influenced regularly by others that do.

So, Happy Hanukkah, Joyous Kwanzaa, Merry Christmas and a Fabulous Festivus to you all!

Gerry Giovinco



First Hand History From Those That Passed

Tuesday, December 9th, 2014

With the recent release of  Volume 3 of David Anthony Kraft’s COMICS INTERVIEW: The Complete Collection www.comicsinterview.com it is hard not to acknowledge the number of great comic creators, fans and industry observers who graced the pages that are no longer with us.  It is a sad truth that, thirty-plus years since the first issue of COMICS INTERVIEW was originally published, many of the great subjects of those interviews have passed away, taking with them their unique perspective of the comics industry and their direct involvement in it.

For this reason and for the inevitable fact  the list of deceased will grow, COMICS INTERVIEW: The Complete Collection becomes an extremely valuable facet of the history of comic books because it captures the insights of those that are gone and preserves them for generations of comic enthusiasts to come.

COMICS INTERVIEW: The Complete Collection amasses comics history directly from the mouths of those that lived it.  Many of the interviewees were there from the beginning. Some, like writer Gaylord Dubois born in 1899, were alive before the first comic book was printed!  COMICS INTERVIEW relays their perspective first hand like no other history book of this industry can or ever will.

The first three volumes of this collection reveal the words of over thirty industry insiders and observers that will never be heard again. The list is inspiring and saddening because these people were all, at some point, the heartbeat of the industry and left a legacy that continues to grow and inspire the medium today and well into the future.

Jack Abel – 1927-1996 – Artist

Alfred Bester – 1913-1987 – Writer

Dave Cockrum – 1943-2006 – Artist

Joe Colquhoun – 1924-1987 – Writer

Robert Culp – 1930-2010 – Fan on Screen

Arnold Drake – 1921-1997 – Writer

Gaylord Dubois – 1899-1993 – Writer

Jules Engle – 1909-2003 – Artist

Gardner Fox – 1911-1986 – Writer

Frank Frazetta – 1928-2010 – Artist

Steve Gerber – 1947-2008 – Writer

Dick Giordano – 1932-2010 – Artist

Dick Goldwater – 1936-2007 – Archie Publisher

Archie Goodwin – 1937-1998 – Writer/Editor

Jerry Grandenetti – 1926-2010 – Artist

Jack “Jaxon” Jackson – 1941-2006 – Writer/Artist

Carol Kalish – 1955-1991 – Marvel Sales Director

Bob Kane – 1915-1998 – Artist

Jack Kirby – 1917-1994 – Artist

Roy Krenkel – 1918-1983 – Artist

Joe Kubert – 1926-2012 – Artist

Jerry Robinson – 1922-2011 – Artist

Fred Rogers – 1928-2003 – Fan on Screen

Phil LaSorda – 1960-2008 – Comico Publisher

Carl Macek – 1951-2010 – ROBOTECH Producer

T. M. Maple – 1956-1994 – Fan Incognito

Joe Rosen – 1920-2009 – Letterer

George Roussos – 1915-2000- Artist

Adrienne Roy – 1953-2010 – Colorist

Don Thompson – 1935-1994 – CBG Editor

Kim Thompson – 1956-2013 – Fantagraphics Publisher

William Woolfolk – 1917-2003 – Writer

Those that have passed are now memorialized in a photo album on facebook that can be seen here and will be updated when needed and as each new volume is released so be sure to “like” the COMICS INTERVIEW page.

It is no mistake that the promotional graphic we chose this Holiday Season was of the Three Wise Men bearing the first three volumes of David Anthony Kraft’s COMICS INTERVIEW: The Complete Collection. To us the books contain the wisdom of many, regarding the comics industry, and represent the foundation that the entire medium of comic art is built on.

If you love comics and value the rich history of the medium  then be sure to add David Anthony Kraft’s COMICS INTERVIEW: The Complete Collection and other great CO2 Comics graphic albums to your bookshelf today.

Gerry Giovinco



Just in Time for Christmas!

Tuesday, December 2nd, 2014

Santa has something special for that growing number of fans out there that are building their complete set of David Anthony Kraft’s COMICS INTERVIEW: The Complete Collection.

VOLUME THREE is ON SALE NOW!!

VOLUME THREE, like the two volumes, before is packed with over 650 pages if incredible interviews from members of all aspects of the comics community! Though every interview is an amazing slice of comics history, who could pass on reading interviews these included industry giants: Jack Kirby, Frank Frazetta, Archie Goodwin, Walt &Louise Simonson, Frank Miller, Bob Kane, Jerry Robinson, Steve Gerber,  and many more!

Remember, It is never too late to jump on the bandwagon and start your collection of any CO2 Comics product from David Anthony Kraft’s COMICS INTERVIEW: The Complete Collection to any of our great graphic novels and t-shirts because they are all available on-demand any day of the year!

For your convenience, here is a complete list of all available product:

COMICS INTERVIEW the Complete Collection Volume 1 by David Anthony Kraft – 680 pages

Paperback  Edition – $34.99

Hard Cover Edition – $54.99

Comics_Interview_Volume_2_Standard_cover

COMICS INTERVIEW the Complete Collection Volume 2 by David Anthony Kraft – 688 pages

Paperback  Edition – $34.99

Hard Cover Edition – $54.99

COMICS INTERVIEW the Complete Collection Volume 3 by David Anthony Kraft – 656 pages

Paperback  Edition – $34.99

Hard Cover Edition – $54.99

“The Greatest Collection of Interviews in the History of Comic Books!” these are the first three volumes of an eleven volume set that compiles the entire 150 issue run of David Anthony Kraft’s celebrated Comics Interview Magazine. Featuring interviews with nearly one hundred comic book professionals and fans, many of which are legends in the industry, this volume has 680 black-and-white pages of incredible photos, illustrations and text that will dazzle your eyes and remind you, page after page, why comics are special to you. A must-have reference work for every comics library, collector and researcher COMICS INTERVIEW accesses the heart and soul of the comics industry which has given the world 70 years of comic book art, literature, and tradition.

If you love comics — you will love COMICS INTERVIEW: The Complete Collection!

All volumes are available in both Premier and Standard editions featuring your choice of  Classic or traditional  COMICS INTERVIEW  logos!

Doggie Style – The Complete Dog Boy by Steve Lafler – 488 pages

Paperback  Edition – $29.99

Hard Cover Edition – $49.99

Imagine an enthusiastic, ambitious young artist of the 1980s who happens to have an enormous golden retriever head on a human body. Given to flights of fancy and the odd meditation on the truly mundane, this Dog Boy searches for meaning, all too often via a six pack of Rainer Ale pounders!

Steve Lafler sat down from 1882 to 1988 and drew nearly 500 pages of Dog Boy. Most of the time, he drew with no script, and in fact looked to emptying his mind before putting pencil to bristol board.

The entire results are collected here in in the 488 page omnibus, DOGGIE STYLE The Complete DOG BOY! Now you can pay witness to the genius that flowed from Steve’s streaming consciousness as he created one of the most truly independent comic works of all time!

NOTE: Content intended for MATURE readers.

Heaven and the Dead City by Raine Szramski – 64 pages

Paperback  Edition – $14.99

Hard Cover Edition – $24.99

There is nothing alive anymore in the Dead City – or is there? Two cities: one dead… …the other, vibrant and alive. But for Palus, the supposedly enlightened city of Zivvon was dead in a different way. Their intolerance of earth magick in favor of the intangible church-sanctioned magic of heaven weighed heavily on him. After all, Palus had been born a witch. Two cities: one beautiful and flourishing… …the other, not quite as dead as it would seem. Yaira knows this as well as anyone. It wasn’t safe to linger within the walls of Tac. Her mother had made that mistake and paid the price for it. Her father had warned her – Get in, get what we need and get out! But Yaira had inherited her mother’s curiosity. And now something in the Dead City was growing curious of her.

Ménage à BUGHOUSE by Steve Lafler – 408 pages

Paperback  Edition – $24.99

Hard Cover Edition – $39.99

Ménage à BUGHOUSE collects the funky jazz noir BUGHOUSE trilogy by Steve Lafler in one volume.

Tenor saxophone maestro, Jimmy Watts, leads his talented band of bugs from the swing era into the uncharted maelstrom of Bop. And as he and his band mates claw their way to the top of the jazz world, they must fight the temptation to be consumed by addiction to a substance known as “Bug Juice”.

NON by Chris Kalnick – 52 pages

Paperback Only – $14.99

This collection of the comic strip NON, The Transcendental Extraterrestrial by Chris Kalnick will tickle your soul. NON’s unique perspective of our humanity is a window through which we gain profound insight through the sheer simplicity of his observations. This little alien is a teacher and his thoughts are inspiring. NON’s epilog, A Sensory Neuron’s Quandary, will redefine life’s purpose for those seeking a pointed answer.

52 pages of powerfully, humorous, light-hearted introspection that is beautifully drawn by Kalnick will satisfy your need to be one with the universe but will have you begging for more NON adventures.

The Adventures of ROMA by John Workman – 98 pages

Paperback  Edition – $19.99

Hard Cover Edition – $29.99

This 98 page graphic novel is created by John Workman, whose extensive experience in the comic book field is evident in every panel. Workman introduces us to ROMA, a woman of mystery…even to herself… as she finds life, death , love, and perhaps mankind’s final redemption in this fantasy/science fiction graphic novel. ROMA is the story of a girl who is so much more than merely super-human!

Beautiful art, compelling story and haunting questions make ROMA irresistible.

The Heavy Adventures of Captain Obese by Don Lomax – 108 pages

Paperback  Edition – $19.99

Hard Cover Edition – $29.99

The Heavy Adventures of CAPTAIN OBESE. Originally published by WARP GRAPHICS in the late 1980s. The comic has always been near and dear to Don’s heart since looking at CAPTAIN OBESE for him is like looking in a mirror. The comic collected some flack from the whining politically correct crowd back when it was first published but who other than a morbidly obese artist should depict a morbidly obese super hero? That was back in the days when everybody was thin. Today? CAPTAIN OBESE is the norm.

T-Shirts – $19.99 each

COMICS INTERVIEW T-Shirts featuring retro and Platinum COMICS INTERVIEW Logos.

Death Fatigue T’s- The syndrome that is gripping the readers of comic books all across the nation. Is there no end to the carnage that is being brought upon our favorite heroes by the editorial staffs of the biggest publishers in the comic industry?

Super Death Fatigue

Bat Death Fatigue


Cap Death Fatigue

Spider Death Fatigue

Now is your chance to put together your wish list for Santa or get that special gift for the comic fan or historian in your life.

Gerry Giovinco



David Anthony Kraft’s COMICS INTERVIEW: The Complete Collection TWO THOUSAND Pages and Counting!

Tuesday, November 25th, 2014

First Three Volumes of Eleven Volume Set
on Sale NOW!

CO2 Comics has embarked on a massive endeavor to compile the entire 150 issue run of David Anthony Kraft’s COMICS INTERVIEW magazine that is regarded as the greatest collection of interviews in the history of comics.

To date, 42 issues, comprised of over 2,000 pages, have been meticulously scanned, cleaned, formatted and printed in the handsome, first three volumes of the planned eleven volume set. Volume four is currently in production.

Each printed volume packed with nearly 700 black and white pages of art, photos and interviews is available in either paperback or hard cover versions of two special editions:

The Premier Edition features, on its full color cover,  a customized version of the original COMICS INTERVIEW logo which utilized stylized characters from famous comic book titles. This logo appeared only on the first 24 issues of the magazine and is loved by many for it’s homage to comic book icons.

The Standard Edition alternatively features a similarly customized version of the traditional Comics Interview logo that graced the cover of the remaining 126 issues and may be the one that is endeared to the hearts of many fans, especially those that enjoyed its Pac Man font.

The four distinct versions of the printed package give fans of the magazine an opportunity to complete their collection of the set in a consistent manner that suits their personal tastes and will ultimately be an extraordinary addition to their library.

The importance of this collection to comic fans and historians can not be overstated.

Originally published from 1983 to 1995, COMICS INTERVIEW gave voice to the comics industry at a pivotal time in its history. The magazine was able to provide insightful interviews with writers, artists and editors that were active in the earliest days of the industry as well as the young creators whose careers since continue to shape the industry today.

Page by page, volume by volume, David Anthony Kraft’s COMICS INTERVIEW The Complete Collection is an accurate, candid, and authoritative  perspective of the history of comics that comes directly from the mouths of the people that lived it.

Amazingly relevant to current issues that affect the industry, every volume is a necessary source of vital information for anyone who wants a complete understanding of the comics industry as a whole.

The first three volumes alone present interviews with about 230 individuals that all made a mark on the history of comics. Without slighting the contributions of any, here is just a short list of some of the influential subjects:

Terry Austin, Howard Chaykin, Gerry Conway, Jack Davis, Dick Giordano, Joe Kubert, Stan Lee, Wendy & Richard Pini, Jim Shooter, Roy Thomas, Marv Wolfman, Karen Berger, John Byrne, Colleen Doran, Steve Gerber, Dave Gibbons, Bill Willingham, Scott McCloud, Stephen Bissette, Bob Burden, Frank Frazetta, Bob Kane, Jack Kirby, Jerry Robinson, Frank Miller, Walt & Louise Simonson, and many, many more!

An accurate list of the interviews contained in each volume can be found in the book previews on the CO2 Comics Storefront on LULU and AMAZON where you can easily purchase your copy of each volume today! Buy one or buy all three and you will be anxious to complete the whole set as each new volume is released.

David Anthony Kraft’s COMICS INTERVIEW The Complete Collection is a massive and beautiful centerpiece intended for any comics library. Accumulated one volume at a time or in convenient bundles, it continues the tradition of anticipation and fulfillment that is experienced by every comic collector. If you love comics, now is the time to begin your own collection of the greatest interviews in the history of comics. Order your copies today!

Gerry Giovinco



The Alternate Reality of Dark Horse Comics

Tuesday, February 25th, 2014

Mike Richardson, the publisher of Dark Horse Comics made it very clear that winners do attempt to rewrite the history books, creating an alternate reality that would make any comic universe proud when he made this statement:

“I don’t know if anyone understands today that we spearheaded the creator-owned movement. Image was years away, and any kind of company that offered those rights and those freedoms hadn’t happened yet. We spearheaded that, and I think that fact has been lost over the years.”

Mike Richardson

People that know anything about creator owned comics and especially those that actually care about creator owned comics definitely do NOT understand the point that Mr. Richardson is attempting to make because it is a complete fantasy with no basis in historic reality, whatsoever.

Dark Horse does not even have the longest history of publishing creator owned works of current comics publishing companies. Hell, even Marvel and DC were writing creator owned contracts and offering royalties to creators before Dark Horse even opened its doors! The Big Two had to in response to a gang of Independent publishers that were successfully producing creator owned comics that posed a significant threat to their market share while siphoning away top talent.

Creator ownership is a simple concept. You create it, you own it and that is how copyright law works. Since 1976 the creator owns the work from the instant it is created wether it is filed and registered or not. This excludes, however anything created work for hire in which case it belongs to the company that commissioned the work on their behalf. If you open a comic book or any other work and it says “© Joe/Jane Creator” it is creator owned.

What you do with your creation after you create it is a different story. In the comics industry it was common practice for a creator to sell the entire rights of their creation to a publishing house. This was usually done in the hopes of getting steady work and in the case of some of the more savvy creators a small stake in royalties. Siegel and Shuster sold the rights to Superman for $130 while Bob Kane, reportedly, always held some small stake in Batman.

This practice of buying properties outright was unlike typical book publishing where authors retained their copyright and were paid an advance by publishers for the rights to publish their work then paid royalties on each book sold. This publisher/creator  relationship would endure for a specified term outlined in an agreement which would also include termination clauses and opportunities for revision of rights to the creator.

So this concept of creator ownership has never been anything new, it was just outside of the business tradition that had been established by comic companies who argued that the low price of comic books made them such a low yield product royalties would be negligible.

A quick history lesson for Mr. Richardson since he obviously missed it:

It was the Underground Comix movement in the ’60s and ’70’s that proved that creators could self publish and develop markets to sell their material in. If anybody spearheaded creator owned comics it was this group.

Just a few Creator Owned comics published before Dark Horse existed

When the Direct Market was created by Phil Seuling in 1972 he created a distribution system that was user friendly for creator owned comics. Bud Plant’s Comics & Comix published some early creator owned comics like The First Kingdom by Jack Katz which began in 1974 the same year that Mike Friedrich began publishing Star*Reach. Mike was a huge advocate of creator ownership and represented a number of great comic talents as their agent. By 1977 Heavy Metal hit the racks with creator owned material while Aardvark Vanaheim and WaRP Graphics were self publishing Cerebus and Elfquest respectively. Dean Mullaney formed Eclipse in 1978 and we witnessed the first defectors from Marvel when Don McGregor and Paul Gulacy create Sabre which was also one of the first graphic novels.

Just a few publishers of Creator Owned Comics

The floodgates opened in the 1980’s and a strong wave of publishers all with creator owned contracts poured on the scene, Pacific, First, Comico, Capital, Aircel, Vortex, Fantagraphics, Continuity, Mirage and others all produced creator owned projects well before Dark Horse showed up.

These publishers refined the model that Dark Horse adopted. ADOPTED! Dark Horse may have spearheaded survival in the volatile comics market that sank most of those early publishers by the middle of the ’90s but they certainly did not spearhead the concept of creator ownership.

Each of the publishers had their own way of exploring the terms of the contract with creators. I can only speak for what we did at Comico and we were always proud of how creator friendly and generous our contracts were. Comico paid full page rates that were comparable to those paid by Marvel and DC. In those days that averaged about $200 a page for writing, pencils, inks, lettering and coloring. We paid royalties after each issue broke even which was roughly after 30,000 were sold at which point we split the net 50/50! In those days it was not uncommon for an issue to sell between 60,000-100,000 copies so creators did quite well and they completely owned their property.

I have always been impressed with Dark Horse. They became the company that Comico was always intended to be. Comico discovered new talent,  worked with established pros,  had success with licensed properties and was highly innovative and focused on quality, but  unfortunately made mistakes that led to the company’s failure. When I look at the success of Dark Horse I see confirmation that Comico had many of the right ideas as did most of those early independents that made for one of the most exciting eras of comics history.

It is an insult to see those accomplishments dismissed by a respected guy like Mike Richardson who obviously did his homework but rather than give credit where it is due, chooses to rewrite history to benefit his latest marketing plan.

He is not alone, Image shares the same glory complex, as if they were the first Independents, the first pros to walk away from Marvel and DC but they never would have had the chance if it were not for a host of others that did it over a decade earlier and built a viable market for them to succeed in.

Acknowledging history goes a long way towards gaining the respect you desire. Why waste energy and goodwill fabricating history when you should be focused on making and celebrating your own.

Out of respect I did leave a voicemail for Mike Richardson with his administrative assistant, hoping to get a better insight to why he believes his position but as of this writing the call has not been returned. I guess it got lost in the alternate reality of Dark Horse Comics where the accomplishments of true pioneers no longer exist.

Making Comics Because We Want to,

Gerry Giovinco




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