Posts Tagged ‘Bill Cucinotta’

In the Shadow of Comico’s Sins

Tuesday, July 22nd, 2014

Rich Johnston over at Bleeding Cool raised a few eyebrows recently with the post The Return Of Comico? But What Of The Elementals?

In the post he very briefly describes the demise of Comico before unveiling his discovery of a recent trademark application filed by Steven Rev. Rich happily divulges address information and even describes the location as having convenient parking, thus instigating the ires of the many folk that have beefs with Comico owner Andrew Rev who has become both notorious and mysterious since Comico last published.

Curiously, Johnston questions the future of one of Comico’s most legendary titles, The Elementals, which had been purchased by Rev from Bill Willingham back in the 1990′s. If Johnston would have dug just a little deeper he would have found that the same trademark search engine that revealed a potential revival of Comico also discloses that the trademark for The Elementals is currently held by DYNAMITE.

That revelation would have surely stirred up some excitement!

Of course all of that is here or there speculation.  One line in the post, however personally struck a nerve for two glaring inaccuracies.

“…there has been an attempt by the original founders to publish comcics[sic] as CO2 Comics…”

The Original Founders:

Top: Dennis LaSorta, Phil Lasorda, Bottom: Gerry Giovinco, Bill Cucinotta

Bill Cucinotta and I are only two of “the original founders” of Comico.  Though we both feel very responsible for the initial direction of that company and many of the positive and innovative approaches that defined it in its heyday, we were both often at odds with the other partners and ensuing management team. The working environment at Comico was often emotionally, verbally and physically hostile. Our disputes within the partnership resulted in both of our departures as active members of the partnership at separate times years prior to the bankruptcy and sale to Rev.

Though we are prone to celebrate the accomplishments of Comico, and there is a lot that we are very proud of, there is a pall of resentment toward what we endured within that extended partnership that continues to haunt us.

We made a conscious effort to define our current partnership by naming our publishing venture CO2 Comics to specify that the vision of this approach belongs to the two of us working in cooperation with the creators that support our vision. We cannot deny our roles as former Comico publishers but, as we have repeatedly stated, CO2 Comics is NOT Comico and never intends to be.

CO2 Comics current catalog

An Attempt to  Publish:

We feel that we have accomplished a lot in the last five years since we launched CO2 Comics originally as a web comic collective on the internet in 2009 We have published both on the web and in print several thousand pages of comics and comic related content.  A brief rundown of those accomplishments as well as upcoming projects was highlighted on our blog to commemorate our fifth anniversary.

I think we have well exceeded what could be considered an “attempt” at publishing comics!

A few weeks ago Chuck Dixon and Paul Rivoche, in an effort to promote their new book, a graphic adaptation of Amity Shlaes’ THE FORGOTTEN MAN, suggested that they were the subjects of a black list crafted by liberals in the industry against conservative creators.

The idea of a black list might seem ludicrous to some but when our efforts to publish great comics by  a laundry list of incredible creators can be so easily dismissed by observers of the industry we have to ask ourselves if we are not being subjugated by attitudes shaped by what Comico had become toward the end; a Comico that was far from our control and well beyond what we had ever intended it to be.

We couldn’t even get a link in this post that mentions us.

There may or may not be a defined black list in comics, but Bill and I often feel like two black sheep when our current efforts and accomplishments are overlooked. We can only wonder if we are maligned by the dark shadow cast by the sins of what Comico became after we left.

Fortunately we have surrounded ourselves by great talent, many of whom witnessed first-hand what we accomplished and experienced back-in-the-day. They appreciate our integrity and commitment to them personally and to the medium of comics. We can not thank them enough for their continued faith in us!

CO2 Comics is already much more than Comico became. It is a labor of love from which great comics will continue to flow, not a trial of deception, hostility, resentment and fiscal irresponsibility that crushed the dreams of many.

Bill and I have the same vision we ever had: to publish creator owned comics and to establish wonderful, trustworthy, and mutually profitable relationships with creators  in that process.

We wish any new Comico all the luck in the world. They are gonna need it. We just ask, please,  don’t let the sins of Comico past damn the future of CO2 Comics.

Making Comics Because We Want to,

Gerry Giovinco



Independence Day 2014

Tuesday, July 1st, 2014

Independent Comics Day is upon us and this year, as usual, Bill Cucinotta and I celebrate our Independence as comic publishers on the anniversary of our  July 4, 2009 launch of CO2 Comics!

It is hard to believe that it has been five years since we began posting comics on the web and a lot has happened in that brief time!  We have since posted thousands of pages of comics created by dozens of creators. Those serialized comics and our weekly blog, together, have generated  22.5 million hits!

Beyond the web, we have published, in print,  two massive volumes of David Anthony Kraft’s COMICS INTERVIEW: The Complete Collection and six graphic albums that we are very proud of:

Steve Lafler’s Ménage à Bughouse, a single volume collection of the Bughouse trilogy and Doggie Style: The Complete Dog Boy.

Don Lomax’s The Heavy Adventures of Captain Obese,

Raine Szramski’s Heaven and the Dead City,

Chris Kalnick’s NON and

John Workman’s The Adventures of ROMA!

Collectively, between digital content on the web and books in print, CO2 Comics has already generated about six thousand pages of content for our readers’ enjoyment, yet we remain one of the Comics Industry’s best kept secrets!

This is fine by us because we know that true independence is earned by commitment, patience, hard work, perseverance and a belief in what we stand for. We know that there is value in flying under the radar, waiting for the moment when opportunity arrises.

Until then we continue to grow in strength and numbers, allying with creators that also appreciate the value of Independent Comics publishing to expand our content offerings!

This Independent Comics Day we are thrilled to announce six new projects that are in the works with impending release dates!

David Anthony Kraft’s COMICS INTERVIEW: The Complete Collection Volume 3 is nearing completion as we continue the fulfillment of the monumental 11 volume set!

Our relationship with DAK which has extended over thirty years and continues to grow as we now take on the formidable task of collecting two popular series formerly published under the COMICS INTERVIEW imprint.

The 36 issue run of SOUTHERN KNIGHTS is intended to be collected in a giant two volume set with well over a thousand pages of adventures of the “greatest superhero team in the South!”

The Complete  X-THIEVES, more accurately known as the Aristocratic Xtraterrestrial Time Traveling Thieves, will collect over 300 pages of the group’s intergalactic hijinks! Way too much fun to be packed between two covers!

Working closely with DAK and creators, Henry Vogel, David Willis and Mark Propst both of these features will finally be collected in handsomely condensed omnibus formats that will represent an an incredible library brought together by the joint efforts of the  CO2 Comics and COMICS INTERVIEW families!

Not all of our product, however,  will be massive collections that will buckle a bookshelf!

Raine Szramski’s HEAVEN AND THE DEAD CITY which continues its weekly serialization on our site is rolling into a a second volume for print! This beautifully painted work is a testament to Raines’ talent and long history in the medium.

Long time friends and free lance comic talents Bill Anderson and Rick McCollum have teamed with us to package their feature, SCREAMING MASKS! We cut our teeth in the indy comic market  with these journeymen creators and are excited to publish them, together on one of their own unique projects.

Finally,  my SLAUGHTERMAN title will  be collected in a single book after all these years. This seminal title which was significant in the launching of both Comico and CO2 Comics is due an archival packaging.

Yup! We have a lot on our plate and a lot for our readers to look forward to!

Please stay tuned for notifications of release dates and extended product descriptions as each product is rolled out in the coming weeks and months! We plan to charge into the next five years of CO2 Comics as dedicated to independent publishing and the creative rights of comic creators as we have ever been and we cannot wait to see what the future holds!

Happy Independent Comics Day!

Making Comics Because We Want to,

Gerry Giovinco



Song of the Sketchbook

Tuesday, April 29th, 2014

Bill Anderson has been delighting us all with his Facebook posts of sketchbook drawings that he acquired on a convention run with the Comico gang back in 1983. You can see his wonderful collection of sketches here.

What a flashback it was not just to see work by all the great artists that are included but to see images drawn by the Comico crew that included Matt Wagner, Reggie Byers, Will Brown, Vince Argondezzi, Phil LaSorda, Bill Cucinotta, and myself, all done over thirty years ago!

I have to say that seeing those drawings and reveling in the raw energy that exists in spontaneous sketches was quite an inspiration for me to crack out my old sketchbooks, for a personal shot of nostalgia, and to crack down and start a new one.

Anyone who has ever kept a sketchbook knows that they are visual diaries that preserve not just ideas but unfettered strokes of genius that may escape from the mind of an artist through the tip of some rendering implement be it a pencil, marker, pen or brush.

Rarely is there much sense of order in a sketchbook and that is what makes them exciting. Images jump from doodles to notes to fully rendered illustrations, randomly, revealing inner secrets of the artist’s talents that can easily be lost when applied to a more finished work.

A sketchbook reveals an artists soul. The images are the lyrics to a melody that flows from a creative hand in a staccato of strokes.

I received my first sketchbook when I was just ten years-old and I still have it. In it are drawings that are far from spectacular, most lifted from old Preston Blair cartooning books. There are, however, crude drawings of my first comic strip character, Little Sailor Boy, and my first attempts at drawing superheroes that signify a starting point in the timeline of my life in comics.

I have a modest collection of sketchbooks that I have accumulated over the years. Some are from my  days at the Philadelphia College of Art, others from my years at Comico and still more from various periods in my life.

An occasional trip through them is a reminder of projects left unfinished, ideas left unrealized, and  a nostalgic look at the gestation projects that came to fuition. Exposed are moments of creative brilliance, signs of potential untapped and a beacon begging for more.  Sketchbooks can be our own biggest cheerleaders.

I wish that I had kept more sketchbooks. To my regret, however, I was a doodler and jotted ideas and drawings on everything I could find: napkins, notebooks, bond paper and post-its. I have folders stuffed with sketches and portfolios with more but sadly, many sketches ended in the abyss of the dreaded the circular file; the trash!

Somewhere there is a garbage man curating a gallery of my work because I was not as diligent about keeping a sketchbook as I should have.

So in front of me is a brand new sketchbook with a hundred blank pages of creative possibility waiting to be addressed. It’s like a garden waiting for seeds to be planted so that new projects can grow. New comics that need to be made.

I plan to share a few of them here at CO2 Comics, but not before I encourage all you creative types out there to dive into your own sketchbook, if you haven’t already, and plant a few seeds of your own. Let  your sketchbook sing your praises and encourage you to make some great art and even greater comics. When you’re done  don’t forget to share your talents with the rest of us.

Making Comics Because We Want to,

Gerry Giovinco



Comico and Elementals to be Resurrected!

Tuesday, April 1st, 2014

CO2 Comics publishers, Bill Cucinotta and Gerry Giovinco, have formally announced that they have incredibly reached an exclusive agreement with Andrew Rev and will be reviving the Comico imprint for a new line of full color comics that will include the ELEMENTALS title originally created by Bill Willingham. The new line is expected to be  available for distribution in the Direct Market this coming Fall.

Cucinotta and Giovinco were among the original founding partners of Comico the Comic Company. Comico began publishing black and white comic books in 1982 with the release of Comico Primer #1, an anthology comic that featured characters created by the original publishers.

1st five Comico Covers

Comico immediately added four new black and white features, AZ by Phil LaSorda, SKROG by Bill Cucinotta, SLAUGHTERMAN by Gerry Giovinco and GRENDEL by Matt Wagner.

Comico's 1st Color Books

In an effort to grow the fledgeling company, Comico scrapped their entire black and white line to concentrate on full color, creator-owned, comic books spearheaded by   MAGE by Matt Wagner, and EVANGELINE by Chuck Dixon and Judith Hunt soon to be followed by hugely successful ELEMENTALS by Bill Willingham, all published in 1984.

Comico quickly became a contender in the independent market throughout the 1980s and  as a pioneer of licensed properties began setting new standards with tiltles like ROBOTECH, STARBLAZERS, JOHNNY QUEST, SPACE GHOST, and GUMBY.

Comico for a brief period ranked third in the industry for monthly sales with a broad line of comics and graphic novels before making the fatal decision to enter the mass market, a move that would drive the company into bankruptcy leading to an eventual sale to Andrew Rev in 1990.

Along with the acquisition of Comico, Rev also bought the exclusive rights of the ELEMENTALS from Bill Willingham and has remained the sole owner of the title and characters since.

The revival of the Comico imprint by CO2 Comics will also resurrect the Elementals in the form of a 300 page full color Elementals Omnibus that will collect the first twelve issues and primary story arc of the series, accompanied by digital release of each individual issue.

Cucinotta and Giovinco, who both left the partnership before the demise of their former company, are excited to have the opportunity to steward the Comico brand in the direction it was always intended just in time to celebrate the thirty year anniversary of the title and Comico’s publication of their first color comic books.

“This would be a dream come true,” admits Giovinco, who confesses that this is nothing more than a cruel prank that he perpetrated since April Fools Day coincided with his weekly blog post that is launched each Tuesday morning.

“It would have been a bore not to act on April Fools Day,” he states, “but  you are still welcome to enjoy all of great comics at CO2 Comics, many of which are created by former Comico collaborators like Bill Anderson, Reggie Byers, Chris Kalnick, Mike Leeke, and Bernie Mireault.”

You can also enjoy several creator owned features that were originally published by Comico such as:

GAUNTLET by Neil Vokes and Rich Rankin

RIBIT by Frank Thorne

SKROG by Bill Cucinotta

SLAUGHTERMAN, by Gerry Giovinco

THE WORLD OF GINGER FOX by Michael Baron and Mitch O’Connell

VICTOR by Andrew Murphy

Along with many other great features by talented creators.

Happy April Fools Day!

Gerry Giovinco

*Sincerest apologies to Andrew Rev, Bill Willingham, Dynamite Entertainment and any comic fan or speculator who may have experienced palpitations due to this post that was solely intended for good fun.



Happy New Year, 2014!

Tuesday, December 31st, 2013

Goodbye 2013! All of the triskaidekaphobics can now come out of the closet and take a breath of fresh air. It’s time to move on.

Like any year, 2013 had its ups and downs with plenty of good and bad to go around.

I had high hopes for a magical year  when writing this blog to usher in the New Year twelve months ago, the manifestation of which is evident on the CO2 Comics site and in the product we’ve produced.

Besides my 52 weekly blog posts that tackled everything from creator’s rights to trademark infringement and a month-long, scathing review of the PBS broadcast of Superheroes: the Never Ending Battle,

we were delighted to introduce exciting new comic features that are available  to view for FREE everyday along with thousands of pages of other comics that have been archived here at CO2 Comics over the last four-and-a-half years:

Cid and Francis by Mike Sgier continued our commitment to diversity with its unique style of art and whimsical fantasy set in a world of elves and elemental spirits.

Two short stories, The Gold Mask and Revenge as well as the serialization of The Adventures of ROMA all by the legendary  John Workman.

15 year-old Indigo Anderson captured our attention with her youthful talent exhibited in her short feature North and South.

Most recently added has been Dreamcraft, a science fiction thriller by Craig Rippon, Sam Custodio and Bill Anderson that is sure to have you hanging on every page.

We also had the good fortune of releasing four new books in print:

Volume two of David Anthony Kraft’s COMICS INTERVIEW  The Complete Collection.

Three graphic albums, Doggie Style by Steve Lafler, The Adventures of ROMA by John Workman and NON by Chris Kalnick.

All of which are available with the rest of our printed product that we conveniently  cataloged on this Wish List.

Purchase them exclusively at these two links:

http://www.lulu.com/spotlight/co2comics

http://www.amazon.com/shops/co2comics

Comico's 1st Color Books

Robotech/Macross #1 cover, Comico 1984

We look ahead to another exciting year with wonderful new projects and publications to be announced with a firm swell of appreciation of our accomplished past as Bill Cucinotta and I will celebrate the thirtieth anniversary of the publication of our first full-color comic books. 1984 was a significant milestone for us when, still as publishing partners at Comico, we released the historic first issues of Matt Wagner’s Mage the Hero Discovered, Chuck Dixon and Judith Hunt’s Evangeline and Bill Willingham’s Elementals. That defining year was rounded out by the publication of MACROSS which would eventually become ROBOTECH!

As staunch supporters of independent comics we also have to give a tip of the hat to another thirty-year anniversary as Kevin Eastman and Peter Laird celebrate their 1984 creation of the phenomenally successful Teenage Mutant Ninja Turtles and proved to us all that while publishing comics is hard work, anything is possible when you follow your dreams. Thanks guys!

We can only hope that 2014 will be as dynamic for comics and for us as 1984 was. We know from experience that all we can do is give it our best shot and we will!

You are all welcome  along for the ride!

Happy and Prosperous New Year from our entire CO2 Comics Family!

Gerry Giovinco



Independents Day

Tuesday, June 25th, 2013

Hoist the flag! Fire up the grill! Shoot off the fireworks! Americans love the Fourth of July and go to great measures to celebrate because it represents the one thing we all hold dear. Freedom!

We take freedom for granted too often. It takes harsh reminders, like spotting a limbless veteran saluting the flag as tears of pride well in their eyes at a small town parade, to remind us that the freedoms we enjoy continue to require great sacrifice and diligence.

Everyone wants to be free to be able to live their life as they choose, to express themselves and not be oppressed. It does not matter who you are. Freedom is an inalienable right.

Comics have been at the forefront of the battle for freedom since Benjamin Franklin published the first known editorial cartoon in America.  “Join, or Die” appeared in the Pennsylvania Gazette on May 9, 1754. The simple language of comics that combines words and pictures to communicate reaches broad audiences and has been used extensively as a tool of propaganda and information promoting freedom since its inception.

It is ironic, however,  that the comic book industry has been the source of some of the most oppressive employment policies, corporate greed and censorship. One symbol stands out as an identifier of all that is bad about the industry. The stamp of approval from the Comics Code Authority. This stamp seems innocent enough and is a nostalgic reminder of the exciting comics of the Silver and Bronze Age, but if a comic bore it on its cover you know that creators had no ownership in their work, unscrupulous work for hire commitments were in place,  every panel was scrutinized by a censorship board and distribution was controlled.

Rebels of the traditional comics publishing system were easily spotted. Their comics had no stamp or, in some cases, one that mocked the Authority itself. They were the Underground Comics of the 1970′s and they lit a fire that showed future comic publishers that it was time to stand up and be liberated.

Fueled further by the struggles of writers and artists over creators rights and the development of the Direct Market a new wave of alternative comic publishers emerged, most with new and liberal views regarding creator ownership and all enjoying the freedom from the constraints of the Comic Code Authority.

These publishers became known as Independents and they redirected the course of the entire comics medium, opening the door for more mature content and variety of genre that had been missing in the industry for decades. Readers saw comics grow up. What they didn’t see was the stamp of the Comics Code Authority in the upper right-hand corner of the comic books.

The Independents fought and continue to fight the good fight, but not without casualty. Nearly all of those early Independent publishing houses are gone including Comico, the comic company that I co-founded along with Bill Cucinotta and other partners in 1982.

New Independents now carry the mantle and the fight goes on.

Bill and I have retrenched and formed CO2 Comics four years ago. It is a new type of comic company that continues to explore the boundaries of independence as a comic publisher. We publish comics on the internet, free to a massive, global audience. We work in cooperation with comic creators to create a mutual positive experience for all involved.

Most importantly we produce comic books in print with more freedom than we ever would have thought possible thirty years ago when we first began publishing.  Last year we celebrated as Independents by declaring The Power of Three. by releasing our first three graphic novels under the CO2 Comics imprint, Heaven and the Dead City, The Heavy Adventures of Captain Obese! and Ménage à Bughouse.

This year we have more in store. More great product with our own Independent stamp of approval. We are excited, but our version of Independents Day is still over a week away so we plan to build to a great finale like any good Fourth of July display of fireworks.

Join the excitement! Follow the blog, follow us on Facebook, and on Twitter. We’ll be hinting at our next three publications and expecting your stamp of approval when we finally release their availability live for all to enjoy!

Making Comics Because We Want to,

Gerry Giovinco


The Comic Company: Comics Interview #5

Tuesday, May 21st, 2013

In an effort to promote CO2 Comics‘ ongoing, monumental project, David Anthony Kraft’s COMICS INTERVIEW The Complete Collection, we have established a COMICS INTERVIEW Facebook page. Please, if you have not done so already, stop by and “LIKE” the page and share it. It is becoming quite a trip down Memory Lane.

Random posts of quotes and photos of comic creators who were interviewed in the magazine have evolved into a photo feature that we like to call the Quote of the Day. The positive buzz generated by this feature encouraged us to generate more content and so began a staggered release of cover images from the issues that have been reprinted in the first two volumes of David Anthony Kraft’s COMICS INTERVIEW The Complete Collection.

COMICS INTERVIEW #5 surfaced quickly and brought back a tidal wave of memories. That was the issue where Bill Cucinotta and I, as part of the fledgeling Comico crew that also included our former partner Phil LaSorda and SKROG inker, Bill Anderson, were interviewed by David Anthony Kraft, himself,  in a New York coffee shop.

The event is so much like a dream that we often have to remind ourselves just how it came to be. We were all young guys full of hopes and ambition living the best times of our lives. Those were the days that, as comic creators, Bill and I  look upon with the greatest fondness. We were taking chances, creating our own material and attempting to do what others said we couldn’t; build a comic company from scratch.

Primer #1

We had published our first black and white comic, Primer #1 in October of 1982 and a few months later, in February 1983,  David Anthony Kraft’s COMICS INTERVIEW #1 hit the stands.  We knew right away that this was a magazine that we wanted to be associated with and Bill, who was always focused on ways to promote our comics in the Direct Market, was quick to contact David Anthony Kraft to set up advertising arrangements.

It was very easy for all of us to be star-struck. Dave was one of our heroes, having written and edited for Marvel for years. We had all cut our teeth reading his work and suddenly we were dealing with him on a regular basis. It was not long before we were referring to him as DAK.

Dave was much more than a business associate. To us, he was a mentor, filling our heads with knowledge about the comics industry including inside stories and tons of “of the record” anecdotes. More than that, he was a friend. Dave understood that we were possibly biting off more than we could chew but he was always willing to nurture our enthusiasm and offer respected criticism.

This support started with that first conversation he had with Bill regarding advertising which resulted in a trade deal where we ran Interview ads in our comic books and Dave ran Comico ads in his magazine. This allowed us to build a respected presence in the market with no cash expense and to have more reasons to call Dave on a regular basis.

The first Comico ad ran in Comics Interview #3 and our ads became a staple in the magazine for years to come. Lucky for us, we really hit it off with Dave and suddenly we were on a train to New York to be interviewed in issue #5.

Dave must have really been amused by us.  We were a bunch of goofy kids with big dreams that only seemed possible because we didn’t  know better. Our naiveté was our biggest strength; that and an unbridled enthusiasm to create comics.

Gerry Giovinco, Bill_Cucinotta & Phil_LaSorda

We dove into our interview with such a flurry that a half hour into it Dave realized his recorder had not recorded a word we said and we would have to start over. It was typical of  our hit-and-miss approach to making comics. If we didn’t get it right the first time, learn from the mistake and make it better next time.

It is embarrassing, now, to read our ramblings, recognizing in hindsight how amazing it was that we would be able to steer Comico to become a powerhouse in the industry and  establish standards and milestones that would influence the creation and success of future companies like Dark Horse and Image.

Dave, in all his wisdom, was able to see in our comics  what he referred to as “a contagious enthusiasm that transcended their shortcomings.”

Of the entire interview the most significant words were written by Dave in the introduction where he recognized Comico for the pioneers that we were as publishers.

“Comico, the comic company, is among the newest and most ambitious of the independent publishers springing up in the field. Comico’s five titles – AZ, SKROG, SLAUGHTERMAN, GRENDEL and PRIMER – are distributed through the direct-sales system and are available exclusively in comics shops or by subscription.

What is, perhaps, most surprising about such an enterprising endeavor is that all of the comics creators are ( at least, for now) essentially unproven and unknown. Starting from scratch, on such a scale, is virtually unprecedented under the circumstances.”

Our presence in COMICS INTERVIEW #5  marked a coming of age for us.  We shared the issue with industry legends, Stan Lee, Dick Giordano, Wendy and Richard Pini! To be included with this iconic group, for us, was a dream come true. It was time that we were taken seriously by the industry, fans and, most importantly, ourselves.

Future issues of COMICS INTERVIEW would chronicle our achievements as our line grew. Features about The Elementals in issue #17 and ROBOTECH in issue #23 were evidence that we were a company on the move, adapting to survive and prosper. More would follow and Comico, as a company,  managed to maintain a lifespan as long as COMICS INTERVIEW itself.

Comico, unfortunately has gone the way of every other independent publisher of that era. Bill an I however are still plugging away, as enthusiastic as ever but with quite a few battle scars to show for it.  We still look to Dave as a mentor and friend and knew that when we started publishing as CO2 Comics we had to re-establish our relationship with COMICS INTERVIEW.

We are now on a long journey to package the entire 150 issue run of that memorable magazine in an eleven volume set. Two volumes are complete and the third is in production.

As Dave says, “It is a labor of love.” And what’s not to love? For us, everyday is a trip back to the “good old days” and a reminder of the enthusiasm that keeps Bill and I making comics just because we want to.

Making Comics Because We Want to,

Gerry Giovinco


Self-Publishing is a Virtue

Tuesday, February 26th, 2013

Self-publishing is often perceived with a certain disdain that I always struggle to understand especially when it concerns publishing comics. Self-publishers are usually viewed as purveyors of “Vanity Press” or unrefined rebels, void of editorial and quality control, rather than the enlightened, creative entrepreneurs that they often are.

For the record, I have always considered myself a self-publisher though I have spent a lot of time publishing the works of others. I self-published my first comics in high school. Those comics were printed on a mimeograph machine and distributed from class-to-class and sold for a nickel apiece.

In college, where I met my long time publishing partner Bill Cucinotta, we published a student newspaper, DUCKWORK , with a bunch of like-minded friends that all had an interest in comics.  We were doing our own thing and doing it collectively so I still considered what “we” published as self-published.

Few people remember or realize that Comico began as a self-publishing venture. Our earliest projects all featured comics that we created ourselves.  AZ, Skrog, and Slaughterman were each works of the individual Comico partners, Phil LaSorda, Bill Cucinotta, and myself. Primer was intended an introductory product for our personal projects but became our first vehicle to present the works of others, most notably our former DUCKWORK pal, Matt Wagner, and his signature work Grendel.

It was only fitting that when Bill and I began publishing on the web as CO2 Comics the first features we launched were our earlier works Skrog and Slaughterman . We were self-publishers again!

Because we do enjoy publishing others, we set up CO2 Comics as a cooperative venture where we work closely with creators to present their work on our site. When we do publish works in print we consider the creators our partners and insure that they receive the lion’s share of net profits from sales of their books.

I don’t ever want to lose my perception of being a self-publisher because I consider it a virtue and a right. Cat Yronwode, esteemed comics critic, and editor once questioned our rights to publish what was admittedly amateurish material. Her comment in the Comics Buyer’s Guide sent me into a tizzy back in 1983 because I am so adamant about a creator’s right to have control over their work which is my primary  endorsement for self-publishing. I argued that as Americans we should have the right to publish whatever we want and that the market will determine our fate.

Self-publishing, in fact has integral responsibility for the birth of our nation. Forefather, Ben Franklin, was a self-publisher and champion of freedom of speech. He used his press, his writings and his publishing skills to inspire and encourage the American Revolution. He valued those rights and so should we as comic creators.

This is the sense of independence that comic creators needed when it became obvious that the big comic publishers were taking advantage of them. By the late seventies when people started demanding rights for Superman creators Jerry Siegel and Joe Shuster followed by champions for Steve Gerber and Jack Kirby it became obvious that alternative publishing was necessary in the comics industry

For us, like many others, self-publishing was the answer.  Thanks to the nature of the Direct Market in the comics industry at the time, self-publishers could easily get their foot in the door. A lot of good and bad publishers proliferated but what became clear was that comics could be more than just superheroes and the opportunity for diversity in the medium exploded.  Self-publishing opened the door for creative opportunity that may not have existed otherwise.

The new generation of comic creators with this expanded view of the medium quickly moved to the world wide web and launched a self publishing assault  that proved anything is possible when creating comics. Stick figures capably replaced the anatomically exaggerated superheroes as dominant reading material on the web.

Now, with digital advancements in printing and distribution, the opportunity to self-publish is as accessible and affordable than ever before leaving the greatest challenge to be that of being discovered by an audience.

More than ever, self-publishing is the doorway to creative freedom. As creators, now is the time to encourage each other to embrace the opportunity to swelf-publish, to control your intellectual property and not be victimized by unscrupulous publishers who continue to exploit the antiquated work-for-hire business model.

This is our goal at CO2 Comics. We recognize that not every creator wants the burden of all the details that self-publishing requires wether it be on the web or in print. We want CO2 Comics to be a safe haven for projects to be published while creators retain ownership and control over their property.

More importantly we intend that creators are treated with the dignity and respect that they deserve and would warrant as a self-publisher because we know personally what a virtue self-publishing is.

Making Comics Because We Want to,

Gerry Giovinco


Goodbye CBG

Tuesday, January 15th, 2013

The only newspapers that ever really mattered to comic book fans were The Daily Planet, The Daily Bugle and The Comics Buyer’s Guide. Of course, of the three only the CBG was real and now, after forty-two years and 1,699 issues, it is gone.

John Jackson Miller provides a broad perspective of the fanzine, turned, newspaper, turned magazine in this wonderfully documented blog piece, End of an era: Comics Buyer’s Guide, 1971-2013.

I was first introduced to the newspaper by my Comico and CO2 Comics publishing partner, Bill Cucinotta, in 1980. Bill worked at Fat Jack’s Comic Crypt in those days while he went to school at Philadelphia College of Art and teamed with me and the rest of the gang that published our own underground-ish, student newspaper DUCKWORK.

Then titled The Buyers Guide for Comic Fandom and generally referred to as TBG the weekly publication was a tabloid size newspaper like any weekly local paper you would find in your mailbox. The format and frequency established TBG for what it was, the voice of a community, and the periodical singlehandedly galvanized fandom into a comics community with a strong sense of identity.

Maggie & Don Thompson

Under the nurturing guidance of Don and Maggie Thompson, the newspaper was a welcoming vehicle for all to participate whether you were a fan, professional, retailer or distributor there was always a sense that all had an equal voice. To be included was to be accepted into the community.

When we began publishing as Comico, shortly before TBG changed its name to The Comics Buyers Guide or CBG it was always an exciting moment for us to see our full page ads appear in the large tabloid sized pages and to read reviews of our product even though our earliest comics received harsh criticism. We were where we wanted to be; included in the comics community!

This inclusion spread to our appearances at comic conventions across the country where we always felt welcomed due to this sense of community that was fostered by the congeniality of the Thompsons who could be found at most conventions and were happy to encourage and enlighten young, wide-eyed publishers like ourselves.

It was a sad day when Don Thompson passed away in 1994 because the comics community lost a pioneer, a friend and a mentor. A similar feeling of loss is being experienced now as CBG fades into history, a victim of modern technology and an ever changing market. The comic community communicates differently now, through social networks, blogs, podcasts and video but we cannot change our heritage that defined itself in the pages of a once glorious yet simple newspaper.

Bill and I want to express a heartfelt thank you and extend our most sincere well wishes to the staff and contributors of CBG especially Maggie Thompson as she continues to blog on her website and takes on a new role blogging for Comic Con International’s new Toucan blog.

R.I.P. CBG and thanks for the memories.

Gerry Giovinco

2013 Could be a Magical Year

Tuesday, January 1st, 2013

It’s New Year’s Day 2013 and a lot of people are out there working on their New Year’s resolutions. Personally, when I hear the word resolution all I think of is dpi. (dots per inch for those of you who don’t dabble in pixels) I do, however, look at the New Year as a fresh slate and I make every effort to jump in, feet first, with a positive attitude and lots of ambition which uses up enough energy to have me exhausted by the end of week one.

This year, of course, has everyone staring down that infamous number “13″ as their triskaidekaphobia sets in, but after surviving the end of the world as predicted by the Mayan calendar, what do we have to worry about?

In truth the number 13, though widely considered unlucky, has a long history of mystical powers supported by astrological and geometric significance.

If you would enjoy having your eyes burned out of your head by green type on a black page you can read an otherwise fascinating and informative web page about the sacred powers of the number 13 as it refers to the Holy Grail on the site The Vessel of God. www.thevesselofgod.com/thirteen

The number 13 has worked for me over the years. My mother and daughter were both born on the 13th, my daughter actually on Friday the 13th!

The number 13 has also had a significant impact on CO2 Comics. I’ve written often about DUCKWORK the newspaper that Bill Cucinotta and I published while in college at the Philadelphia College of Art in 1980-1982. This is where we first became involved with Matt Wagner, Mike Leeke, Joe Williams, Tina Garcaeu, Joe Matt, and Dave Johnson, all Comico and/or CO2 Comics collaborators.

DUCKWORK had an office, a lowly, tiny room that we had, literally, abducted from the security guards who had previously used it as a locker room. The DUCKWORK office sat on the south side of the ARCO Building on the corner of Broad and Spruce and was on the 13th floor! Those of you that have been in high-rise buildings know that, for superstitious reasons, most buildings do not have a 13th floor. This made our scrawny, little DUCKWORK office all the more magical and exciting place to be every day.  To compound the mystique, the entire floor had been abandoned, relegated merely for storage, only two rooms saw human involvement, our office and the new security locker room. We were in No Man’s Land and we loved it!

Duckwork Covers 1-6

The elevator ride to the office was usually a hectic and congested adventure which I personally avoided each morning by using the stairs. My trek up each of those thirteen flights was compounded by the thirteen city blocks I would walk after being dropped off by my neighbor’s father, who worked near the Franklin Institute. I counted each flight with labored breath, diligently anticipating the last step leading to door that opened to the 13th floor! Needless to say, going down was a lot easier!

Life on the 13th floor with the DUCKWORK crowd was the highlight of my college career that led to many comics publishing experiences and a lifelong friendship with Bill Cucinotta, my partner here at CO2 Comics.

Yup! The number 13 works for me and I am looking forward to a great 2013. I hope you are too!

HAPPY NEW YEAR!

Gerry Giovinco


© 2009-2014 CO2 COMICS All Rights Reserved. All other material © their respective creators & companies