New page of DREAMCRAFT
by Craig Rippon, Sam Custodio and Bill Anderson, now available.
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It is Oscar Season in Hollywood. Congratulations in advance to all the losers! I’m not talking about all those folks that were lucky enough or talented enough to be nominated but those that will never even be invited to ceremonies or get a sniff of the knobby trophy.
I’m talking about all of the dedicated artists without which most of the films we see would never be made. The men and women that create, design, animate, sculpt, draw and paint relentlessly to produce a reality in two and three dimensions that ultimately comes alive on film. The people that make a measly paycheck compared to the actors, directors, and producers that rake in millions. The saps whose microscopic credit flies by on the screen so fast it is nothing but a blur.
Congratulations to you all and thank you for another incredible year of cinema that would have been shit without you!
Sounds rough, I know, but any one who describes themselves as an artist of any sort knows that they, with few exceptions, wear a permanent “Kick Me” sign especially when it comes time to being valued and paid for their work. This is not just in Hollywood but in all creative fields including comic books.
These days, comic books and Hollywood work in tandem to create incredible films and, for the most part, it is the people that created the comics in the first place that see the least revenue from the giant blockbusters they inspire.
To be sure there is a line of creators seeking compensation for their contributions outside the Marvel/Disney and DC/Warner Bros. offices. In many cases settlements are made secretly, behind closed doors, in an attempt to shore up any floodgates ready to burst.
These agreements are band aids on a wound that never heals because though it may satisfy the immediate creator in question it casts an illusion of harmony that deludes other creators into a false sense of security in their professional dealings, giving the corporate gatekeepers the upper hand.
It is this overwhelming attitude that disregards the value of creators that makes them vulnerable to predators in the industry and in society itself.
This is why people like Shia LaBeof feels it is his it is his right to plagiarize source material at will and mock the convention of copyright ownership. Comic artist Dan Clowes is a victim whose work and career has been violated, yet it is Labeouf that is defensive like a rapist dismissing an accuser.
It is this creative disregard that allows artists at the top of the food chain, like Spike Lee, to scoff at designer Juan Luis Garcia and respond with malice when Garcia sought to be paid for work that had been stolen from him by an unscrupulous ad agency hired by the filmmaker.
Juan Luis Garcia has disappeared, a mere hiccup to a respected independent filmmaker that had an opportunity to publicly respect the value of the work of another artist that was just trying to make a living. Spike Lee chose to bury him instead, more concerned with protecting his own bottom line than the integrity of the arts.
It is this pervasive sentiment that opens the Kirby heirs to criticism for seeking compensation for their father’s contribution in creating the multibillion dollar Marvel Universe.
The professional hell that artists experience everyday may not always compare to the injustices in Hollywood but it is prevalent every time someone asks that work be done for free or well below market value because it will “offer exposure” instead, every time time an artist is asked to do work on speculation, never to be paid, and every time they do work-for-hire and see no residuals from an unexpected success.
The world is a difficult place for any profession these days. Everyone from the plumber to the baker is struggling to make ends meet while the moguls at the top get rich off of their hard work. Artists are often dismissed because at least they have the joy of “doing what they love.” That is no excuse for fair compensation for the work that they do.
Next time you watch a film pumped out by Hollywood, take the time to sit through the credits and absorb the enormous amount of people that it took to make that single movie. Imagine how many of them are artists with great aspirations and who are now wondering where their next paycheck is coming from. Learn to appreciate and value their work and creativity because these are the folks in the trenches of Hollywood Hell and the film you enjoyed would not exist without them.
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